(2012). ‘Where's the spirit gone?’ The complexities of translation and the nuances of terminology in An Actor's Work and an actor's work. Stanislavski Studies: Vol. 1, No. 1, pp. 43-86.
Stanislavski Studies Template
Write in a clean editor, then format for Stanislavski Studies in one click — DocuGuru applies the official Taylor & Francis template with author–year references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the Stanislavski Studies format
Stanislavski Studies is a peer-reviewed journal published by Taylor & Francis, covering Theatre and Performance Studies, Diversity and Impact of Dance, Theater, Performance, and Music History.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Stanislavski Studies 12 (3): 45–58.
Formats any DOI in Stanislavski Studies style. No sign-up. |
| Publishes research in | Theatre and Performance Studies Diversity and Impact of Dance Theater, Performance, and Music History Cultural Studies and Interdisciplinary Research Historical and Modern Theater Studies |
| ISSN | 2054-4170 |
| Citation impact (2-yr) | 0.25 |
| h-index | 6 |
| i10-index | 2 |
| Total citations | 312 |
| Top institutions publishing here | Rose Bruford College |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Stanislavski Studies per year
Citation impact of Stanislavski Studies by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Stanislavski Studies
This paper explores the fields of actor training and music education in order to illuminate the historical and pedagogical connections between the work of Konstantin Stanislavski and Emile Jaques-Dalcroze. It identifies historical parallels between their artistic practices, including their dedication to rhythm and polyrhythm. It illustrates the ways in which their pedagogical paths crossed. It…
The principles underpinning current acting approaches in musical theatre are primarily based on, and indebted to, Stanislavski’s acting ‘System’. Though the musical theatre acting literature fails to formally explain the modes of appropriation or varying legacies of Stanislavski’s tenets (a task I will briefly cover), the pervasive reception given aspects of his systematic preparations may…
(2013). Fundamentals of the Stanislavski System and Yoga Philosophy and Practice (Part 2) Stanislavski Studies: Vol. 1, No. 2, pp. 190-236.
Using Stanislavsky’s pre-System work as a case-study, this essay documents a recent experiment in “practice-based theatre histories”, where the teaching and research of historical material is treated as an embodied experience, lived through in the practice of the studio or performance. The core of the essay provides some suggestions for practice which draw attention to…