It is ironic that Sholem Aleichem is probably best known today for the 1971 cinematic adaptation of his Tevye-the-Dairyman story cycle, Fiddler on the Roof. At the time of his death in 1916, at age...
Studies in Russian and Soviet Cinema Template
Write in a clean editor, then format for Studies in Russian and Soviet Cinema in one click — DocuGuru applies the official Taylor & Francis template with author–year references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the Studies in Russian and Soviet Cinema format
Studies in Russian and Soviet Cinema is a peer-reviewed journal published by Taylor & Francis, covering Cinema and Media Studies, Eastern European Communism and Reforms, European history and politics.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Studies in Russian and Soviet Cinema 12 (3): 45–58.
Formats any DOI in Studies in Russian and Soviet Cinema style. No sign-up. |
| Publishes research in | Cinema and Media Studies Eastern European Communism and Reforms European history and politics Soviet and Russian History Memory, Trauma, and Commemoration |
| ISSN | 1450-3132 |
| Citation impact (2-yr) | 0.13 |
| h-index | 13 |
| i10-index | 15 |
| Total citations | 1,043 |
| Top institutions publishing here | Russian State University of Cinematography named after SA Gerasimov |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Studies in Russian and Soviet Cinema per year
Citation impact of Studies in Russian and Soviet Cinema by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Studies in Russian and Soviet Cinema
AbstractDziga Vertov is often described as an avant-garde artist, a film poet and a documentary film-maker; only rarely is he described as an animator. Drawing on the definition of animation by Norman McLaren, this article suggests a possible re-examination of Vertov's early work in terms of animation history. If we allow that the essence of…
AbstractLooking at Vladimir Men'shov's Moscow Does Not Believe in Tears (1979), as well as other ‘stagnation’ era films, this article considers the cultural paradigms of ‘late socialism’ in their double context: the ‘sad comedies’ of the Brezhnev era on the one hand, and recent attempts to represent the final decades of the Soviet regime, on…
Over the last two decades, the stage director and filmmaker Ivan Vyrypaev has developed his own aesthetic practice, which tests the energy, reception, and affective appeal of the stage performance to forge a new artistic method that is meaningful to a modern audience. Like the notable avant-garde directors before him, he rejects the tradition of…
AbstractNikolai Lebedev's 2002 film Star (Zvezda) became the first in an explosion of Russian films set during World War II. Between 2002 and 2006, sixteen films and eight television serials have revised the existing cinematic narratives about the war. This article investigates these films as ‘theatres of memory’, sites where narratives are disturbed and where…