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Proceedings of the Royal Musical Association is a peer-reviewed journal published by Taylor & Francis, covering Musicology and Musical Analysis, Diverse Musicological Studies, Historical Influence and Diplomacy.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Proceedings of the Royal Musical Association 12 (3): 45–58.
Formats any DOI in Proceedings of the Royal Musical Association style. No sign-up. |
| Publishes research in | Musicology and Musical Analysis Diverse Musicological Studies Historical Influence and Diplomacy Theater, Performance, and Music History Legal Cases and Commentary |
| ISSN | 0080-4452 |
| h-index | 23 |
| i10-index | 45 |
| Total citations | 1,943 |
| Top institutions publishing here | University of Sheffield |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
How did John Dunstable compose? What principles did he follow when he sat down to plan a piece of music? Manfred Bukofzer's collected edition of his works is now twenty-six years old, and when we consider how little of his music is performed and known as sound, over a quarter of a century after its…
The contribution of Lionel Power to European sacred music during the first half of the 15th century has long been appreciated, and the current publication of a complete edition of his surviving work has long been overdue. The purpose of this article is to present such few details as are known of his career, and…
Even the most enthusiastic admirer of fourteenth-century isorhythm would have to admit that the collection of French motets published in the series Polyphonic Music of the Fourteenth Century must present a somewhat forbidding appearance to the casual reader. Certainly a large number of the surviving pieces are characterized by a uniformity of melodic, harmonic and…
What lover of eighteenth-century music, hearing Burney's characterisation of the Mannheim orchestra as ‘… an army of generals, equally fit to plan a battle, as to fight it’, or upon reading Schubart's description of that group, Its forte is like thunder, its crescendo like a great waterfall, its diminuendo the splashing of a crystalline river…
The operatic reforms of Gluck and his subsequent conquest of Paris have received much critical attention, but discussion of his rival Piccinni tends to be anecdotal rather than analytical. The term ‘Piccinnisme’ is also liable to misunderstanding. Terry, for example, setting the scene for J. C. Bach's French opera, refers to Gluck's ‘heresies’ against Lully…
