The degree to which creativity is domain-specific or domain-general remains hotly contested, but there is at least one area of agreement: people have different creativity profiles. In this study, we asked 241 students to give self-ratings of their creativity in different domains. These ratings were then studied for inter-correlations. We also examined how such self-assessments…
Empirical Studies of the Arts Template
Write in a clean editor, then format for Empirical Studies of the Arts in one click — DocuGuru applies the official SAGE template with author–year references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the Empirical Studies of the Arts format
Empirical Studies of the Arts is a peer-reviewed journal published by SAGE, covering Aesthetic Perception and Analysis, Creativity in Education and Neuroscience, Color perception and design.
| Publisher | SAGE |
|---|---|
| Reference style | Author–year (Harvard) Author–year — (Smith, 2023) in the text Smith, A., Jones, B. and Lee, C. (2023) 'A representative article title', Empirical Studies of the Arts, 12(3), pp. 45–58.
Formats any DOI in Empirical Studies of the Arts style. No sign-up. |
| Publishes research in | Aesthetic Perception and Analysis Creativity in Education and Neuroscience Color perception and design Multisensory perception and integration Art History and Market Analysis |
| ISSN | 0276-2374 |
| Citation impact (2-yr) | 1.79 |
| h-index | 51 |
| i10-index | 293 |
| Total citations | 11,844 |
| Top institutions publishing here | University of Toronto |
| Journal website | us.sagepub.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Empirical Studies of the Arts per year
Citation impact of Empirical Studies of the Arts by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Empirical Studies of the Arts
Do people prefer curved lines, shapes, and objects over angular lines, shapes, and objects? Angularity is one of the oldest variables in the psychology of aesthetics, but past research has not always controlled for potential confounds. Two experiments manipulated angularity while controlling for symmetry, prototypicality, and balance. Study 1 used arrays of circles and hexagons…
Since Berlyne's seminal research, the study of experimental aesthetics has examined interest as a response to art. The present research explores the implications of appraisal theories of emotion for the study of interest as an emotion relevant to aesthetics. Participants viewed pictures of modern experimental visual art and rated each picture for interest and for…
Neuropsychological investigations of art production and perception have the potential to offer critical insight into the biology of visual aesthetics. Thus far, however, investigations of art production in patients have been limited to anecdotal observations and investigations of art perception are non-existent. Progress in the field is hampered by the lack of an adequate instrument…
Although a number of studies have verified Daniel Berlyne's (1971) predicted maximum preference for intermediately complex stimuli, others have found that preference increased or decreased in relation to complexity. The objective of the present work was to assess whether differences in the kinds of stimuli used in prior studies or in the way complexity was…