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Victorian Literature and Culture is a peer-reviewed journal published by Cambridge University Press, covering Literature: history, themes, analysis, Adaptive optics and wavefront sensing, Astronomy and Astrophysical Research.
| Publisher | Cambridge University Press |
|---|---|
| Reference style | Numbered Numbered — [1], [2] in the text [1] A. Smith, B. Jones, and C. Lee, A representative article title, Victorian Literature and Culture 12 (2023) 45–58.
Formats any DOI in the closest standard style — Victorian Literature and Culture has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Literature: history, themes, analysis Adaptive optics and wavefront sensing Astronomy and Astrophysical Research Australian History and Society Travel Writing and Literature |
| ISSN | 1060-1503 |
| Citation impact (2-yr) | 0.38 |
| h-index | 30 |
| i10-index | 213 |
| Total citations | 6,734 |
| Top institutions publishing here | University of Michigan |
| Journal website | journals.cambridge.org |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
T HE VICTORIAN POETESS has become as important a figure in the late twentieth century as she was in the late nineteenth — perhaps because she seems now, as then, to have lapsed into the obscurity of literary history. In recent years feminist critics have been interested in reclaiming a tradition of nineteenth-century popular poetesses…
G EORGE ELIOT FELT A WELL-KNOWN ambivalence toward “feminine” writing. “Silly Novels by Lady Novelists” (1856) mocks the “composite order of feminine fatuity” that characterizes her contemporaries' fiction ( Writings 296). “Woman in France: Madame de Sablé” (1854) maintains that “[w]ith a few remarkable exceptions, our own feminine literature is made up of books which…
In his Preface to R. M. Ballantyne's most famous novel, J. M. Barrie writes that “[t]o be born is to be wrecked on an island,” and so the British boy “wonder[s] how other flotsam and jetsam have made the best of it in the same circumstances. He wants a guide: in short, The Coral Island…
By the time the nineteenth century reached its close, it was already possible to look back at Victorian death culture with nostalgia. With the rise of secularism, the slide toward what Diana Fuss has called the death of death had begun. No longer was it common practice to hold onto the remains of the dead.…
THE POWER THAT COMES FROM being English in the Victorian period is crucially dependent on a categorizing imperative that establishes and structures a series of distinctions such as those between citizen and foreigner, colonizer and colonized, and metropole and colony. These distinctions have epistemological borders that require policing, as do all cross-border interactions that threaten…
