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Theatre Survey Template
Write in a clean editor, then format for Theatre Survey in one click — DocuGuru applies the official Cambridge University Press template with numbered references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the Theatre Survey format
Theatre Survey is a peer-reviewed journal published by Cambridge University Press, covering Theatre and Performance Studies, Theater, Performance, and Music History, Shakespeare, Adaptation, and Literary Criticism.
| Publisher | Cambridge University Press |
|---|---|
| Reference style | Numbered Numbered — [1], [2] in the text [1] A. Smith, B. Jones, and C. Lee, A representative article title, Theatre Survey 12 (2023) 45–58.
Formats any DOI in the closest standard style — Theatre Survey has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Theatre and Performance Studies Theater, Performance, and Music History Shakespeare, Adaptation, and Literary Criticism Diverse Scientific and Economic Studies Cultural Studies and Interdisciplinary Research |
| ISSN | 0040-5574 |
| Citation impact (2-yr) | 0.03 |
| h-index | 25 |
| i10-index | 88 |
| Total citations | 3,393 |
| Top institutions publishing here | City University of New York |
| Journal website | journals.cambridge.org |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Theatre Survey per year
Citation impact of Theatre Survey by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Theatre Survey
In The Semiotics of Performance , Marco de Marinis notes that the field of performance studies has greatly expanded the traditional categories of drama and theatre. “It is obvious,” he writes, “that we are dealing with a field that is far broader and more varied than the category consisting exclusively of traditional stagings of dramatic…
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
When a group comprised primarily of African-derived “people”—yes, the scare quotes matter—gather at the intersection of performance and subjectivity, the result is often not a renewed commitment to practice or an explicit ensemble of questions, but rather a palpable structure of feeling, a shared sense that violence and captivity are the grammar and ghosts of…
The greatest challenge that theatre scholars face today—as we watch the seemingly inexorable march of U.S. imperialism and capitalist globalization— is to remember, to historicize rigorously and resourcefully, to render events (in Brecht's words) “remarkable,” to “expose the world's mechanism on a grand scale and to copy it in such a way that it would…