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Journal of the Royal Musical Association is a peer-reviewed journal published by Cambridge University Press, covering Musicology and Musical Analysis, Diverse Scientific and Economic Studies, Diverse Musicological Studies.
| Publisher | Cambridge University Press |
|---|---|
| Reference style | Numbered Numbered — [1], [2] in the text [1] A. Smith, B. Jones, and C. Lee, A representative article title, Journal of the Royal Musical Association 12 (2023) 45–58.
Formats any DOI in the closest standard style — Journal of the Royal Musical Association has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Musicology and Musical Analysis Diverse Scientific and Economic Studies Diverse Musicological Studies Legal case studies and regulations Music History and Culture |
| ISSN | 0269-0403 |
| Citation impact (2-yr) | 0.53 |
| h-index | 37 |
| i10-index | 142 |
| Total citations | 5,383 |
| Top institutions publishing here | Perfect Harmony Health |
| Journal website | www.cambridge.org |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
What would contemporary music scholarship look like if it was no longer imprinted with the disciplinary assumptions, boundaries and divisions inherited from the last century? This article proposes that a generative model for future music studies would take the form of a relational musicology. The model is drawn from the author's work; but signs of…
The question of musical narrativity, while by no means new, is making a comeback as the order of the day in the field of musicological thought. In May 1988 a conference on the theme ‘Music and the Verbal Arts: Interactions’ was held at Dartmouth College, Hanover, New Hampshire. A fortnight later, a group of musicologists…
Far from being always unjustly neglected until the late twentieth century, as a recent view would have it, Berlioz's music enjoyed dedicated attention and considerable admiration a century earlier. His orchestral works, in particular, were taken up by a range of skilful players and conductors in Britain from the 1870s, yielding performances in the English…
A musical groove is most typically created by a small group of musicians working together, each contributing parts to the whole. Characterizing the knowledge behind such interactive ventures has proved to be challenging. This article attempts to characterize the knowledge basic to grooves first by concentrating on ‘the groove’ as it is practised in soul,…
This article traces the discourses which have dominated the musicological study of creativity over the last 50 years or so, focusing on the concept of improvisation and its relationship to composition, particularly as applied to musics outside the notated Western tradition. Arguing that such discourses have served specific ideological purposes, the author illustrates the ways…
