For the last decade we have been engaged in the study of the history, economics, and sociology of live music in Britain. In this article we will consider the value of “ecology” as an analytic concept (rather than just a buzzword) and compare an ecological account of the setting in which music happens to the…
Rock Music Studies Template
Write in a clean editor, then format for Rock Music Studies in one click — DocuGuru applies the official Taylor & Francis template with author–year references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the Rock Music Studies format
Rock Music Studies is a peer-reviewed journal published by Taylor & Francis, covering Music History and Culture, Musicology and Musical Analysis, Diverse Musicological Studies.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Rock Music Studies 12 (3): 45–58.
Formats any DOI in Rock Music Studies style. No sign-up. |
| Publishes research in | Music History and Culture Musicology and Musical Analysis Diverse Musicological Studies Theater, Performance, and Music History Cinema and Media Studies |
| ISSN | 1940-1159 |
| Citation impact (2-yr) | 0.17 |
| h-index | 18 |
| i10-index | 40 |
| Total citations | 1,212 |
| Top institutions publishing here | Schlumberger (Ireland) |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Rock Music Studies per year
Citation impact of Rock Music Studies by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Rock Music Studies
Inspired by claims that metal music production has become standardized, this article draws on interviews with eight internationally recognized producers examining whether a uniform methodology in recording metal exists and where creative freedom remains. The findings suggest that although recordists must abide by electroacoustic laws and metal music’s pursuit of ever-heavier music, which entails some…
Celebrated music journalist Ralph Joseph Gleason (1917–75) is recognized as one of the founders of popular music criticism. Gleason began his career as a jazz writer in the 1940s, wrote extensively about rock and roll in the 1950s, and became a seminal rock music critic and co-founder of Rolling Stone magazine in the 1960s. He…
“Heaviness” has been one of metal music’s defining features in three decades of metal scholarship. Research acknowledged its essential quality, but no comprehensive definition of musical heaviness was developed. This article, therefore, elaborates a preliminary framework of musical heaviness by identifying its constituent production, performance, and compositional components, including their relationships. The findings suggest that…