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Journal of Popular Film and Television is a peer-reviewed journal published by Taylor & Francis, covering Cinema and Media Studies, Media Studies and Communication, Shakespeare, Adaptation, and Literary Criticism.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Journal of Popular Film and Television 12 (3): 45–58.
Formats any DOI in Journal of Popular Film and Television style. No sign-up. |
| Publishes research in | Cinema and Media Studies Media Studies and Communication Shakespeare, Adaptation, and Literary Criticism Gothic Literature and Media Analysis Gender, Feminism, and Media |
| ISSN | 0195-6051 |
| Citation impact (2-yr) | 0.04 |
| h-index | 31 |
| i10-index | 177 |
| Total citations | 5,996 |
| Top institutions publishing here | Georgia Institute of Technology |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Abstract Drawing on critical race theory and the Freirean critical literacy process, the author links media literacy with a project of social justice. The author utilizes entertainment media as a pedagogical tool to analyze the intersections of race, gender, and class subordination; challenge deficit discourse; and raise social consciousness.
Abstract Unlike most Disney animated films, which have been criticized for decades for their stereotypical female leads and traditional representations of gender, all the major features released by Disney's Pixar studios since 1990 have featured masculine protagonists. These male plots are remarkably alike, and together, we argue, they indicate a rather progressive postfeminist model of…
Since the terrorist attacks of September 11, 2001, zombie movies have become more popular than ever, with multiple remakes, parodies, and sequels. This renaissance of the subgenre reveals a connection between zombie cinema and post-9/11 cultural consciousness. Horror films function as barometers of society's anxieties, and zombie movies represent the inescapable realities of unnatural death…
(1996). The Audience in the Wilderness: The Disney Nature Films. Journal of Popular Film and Television: Vol. 24, Walt Disney, pp. 60-68.
(1991). Disney’s Sub/Version of Andersen’s “The Little Mermaid”. Journal of Popular Film and Television: Vol. 18, No. 4, pp. 145-152.
