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Journal of Japanese and Korean Cinema is a peer-reviewed journal published by Taylor & Francis, covering Asian Culture and Media Studies, Japanese History and Culture, Cinema and Media Studies.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Journal of Japanese and Korean Cinema 12 (3): 45–58.
Formats any DOI in Journal of Japanese and Korean Cinema style. No sign-up. |
| Publishes research in | Asian Culture and Media Studies Japanese History and Culture Cinema and Media Studies Hong Kong and Taiwan Politics Media, Gender, and Advertising |
| ISSN | 1756-4905 |
| Citation impact (2-yr) | 0.1 |
| h-index | 12 |
| i10-index | 14 |
| Total citations | 533 |
| Top institutions publishing here | Nagoya University |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
This article analyses the production and consumption of live-streaming personal broadcasts, focusing on their commercial and economic aspects, as well as their interactivity with their users. Mŏkpang is a term that refers to ‘eating broadcasts’, in which content creators, called Broadcasting Jockeys (BJs), televise themselves while eating. Based on a case study involving in-depth interviews…
This article offers an exploratory reading of two works by Kon Satoshi: his debut Perfect Blue (1998c) and the television series Mōsō Dairinin/Paranoia Agent (2004b). The goal of this article is to work through the relationship between social ontology and ethics embedded in these two examples. To do this the article develops a concept of…
Kurosawa Akira's Dersu Uzala (1975) represents one of the director's many attempts to make his cinema into Japan's entryway into the global community of nations. The price of this entry is the acknowledgment as well as forgetting of uncomfortable historical facts. A revisiting of Kurosawa's film, set in 1902–1907, against the historical foil of the…
This article addresses the postwar film career (1948–1958) of Japanese actress Yamaguchi Yoshiko to suggest that understanding the star persona as ‘diva’ can uncover the affective value of star images for contemporary audiences. The diva persona is often typified by symbols and iconography that transform the actress into something non-human or transcendental. Many scholars and…
This paper investigates the short-lived and easily overlooked cycle of Korean thriller films centring on mother characters in the mid-to-late-2000s. I call these films ‘mother thrillers.’ Through an analysis of the cycle’s key recurrent characteristics, I explore the reasons behind the popularity of this cycle, as well as the social commentary offered by such films.…
