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Television & New Media is a peer-reviewed journal published by SAGE, covering Media Studies and Communication, Gender, Feminism, and Media, Cinema and Media Studies.
| Publisher | SAGE |
|---|---|
| Reference style | Author–year (Harvard) Author–year — (Smith, 2023) in the text Smith, A., Jones, B. and Lee, C. (2023) 'A representative article title', Television & New Media, 12(3), pp. 45–58.
Formats any DOI in Television & New Media style. No sign-up. |
| Publishes research in | Media Studies and Communication Gender, Feminism, and Media Cinema and Media Studies Digital Games and Media Social Media and Politics |
| ISSN | 1527-4764 |
| Citation impact (2-yr) | 0.96 |
| h-index | 63 |
| i10-index | 497 |
| Total citations | 22,882 |
| Top institutions publishing here | University of Southern California |
| Journal website | tvn.sagepub.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
We are often told that data are the new oil. But unlike oil, data are not a substance found in nature. It must be appropriated. The capture and processing of social data unfolds through a process we call data relations, which ensures the “natural” conversion of daily life into a data stream. The result is…
This article introduces the tenets of a theory of datafication of and in the Souths. It calls for a de-Westernization of critical data studies, in view of promoting a reparation to the cognitive injustice that fails to recognize non-mainstream ways of knowing the world through data. It situates the “Big Data from the South” research…
Data assemblages amplify historical forms of colonization through a complex arrangement of practices, materialities, territories, bodies, and subjectivities. Data-centric epistemologies should be understood as an expression of the coloniality of power manifested as the violent imposition of ways of being, thinking, and feeling that leads to the expulsion of human beings from the social order,…
Increasingly, online fan sites are providing instant feedback to television writers and scriptwriters, who are starting to pay more attention to the chatter of “the boards.” At the same time, the boards have become a marketing strategy for TV shows that takes advantage of interactivity to create fan communities and build viewer loyalty. Drawing on…
This article places Big Brother in the context of shifts in factual television's forms and functions. Having identified some of the distinctive features of Big Brother's construction of telereality, it reviews the category of “documentary” across some of its dominant modes. The current emphasis on formats that divert as much as they inform or question…
