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DIY Alternative Cultures & Society is a peer-reviewed journal published by SAGE, covering Cultural Industries and Urban Development, Music History and Culture, Gender, Feminism, and Media.
| Publisher | SAGE |
|---|---|
| Reference style | Author–year (Harvard) Author–year — (Smith, 2023) in the text Smith, A., Jones, B. and Lee, C. (2023) 'A representative article title', DIY Alternative Cultures & Society, 12(3), pp. 45–58.
Formats any DOI in DIY Alternative Cultures & Society style. No sign-up. |
| Publishes research in | Cultural Industries and Urban Development Music History and Culture Gender, Feminism, and Media Cinema and Media Studies Digital Games and Media |
| ISSN | 2753-8702 |
| Citation impact (2-yr) | 0.56 |
| h-index | 7 |
| i10-index | 3 |
| Total citations | 162 |
| Top institutions publishing here | Universidade do Porto |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
This article investigates the evolution of DIY into a component of mainstream cultural output, the divisions of labour in production, and the meaning of DIY to artist and industry. Given the changing nature of the music industry and the musician's place within it, it is important to examine the meaning of DIY. The merging of…
In late modernity, artistic-social movements play a central role in renewing societal processes. This article aims to understand how the do-it-yourself (DIY) ethos builds bridges of understanding for these challenges, taking the artistic practice of fanzine production of Fernanda Meireles as a starting point. Based on a qualitative methodology, we analyse Meirele's use of a…
DIY and alternate cultures are important social spaces to study because they are where young people can find themselves when they feel like they do not fit in and where they can find like-minded peers with whom to work, make and play. DIY and alternative cultures are also key objects of co-optation and value creation,…
This article reflects upon Do It Yourself (DIY) musical activities in an effort to open them up to critical academic inquiry. It begins with a discussion of what ‘DIY’ means in a musical context, which is embellished with a brief historical account of early DIY ‘musicking’ and its subsequent development and diversification. The second part…
This article seeks to deepen our understanding of the do-it-yourself (DIY) careers of a younger generation of classically trained musicians in the context of the neoliberal transformation of higher music education and music labour markets. Drawing on 46 interviews with white middle-class students and graduates of the three public, state-funded higher music education institutions in…
