Yearbook for Traditional Music Template
Write in a clean editor, then format for Yearbook for Traditional Music in one click — DocuGuru applies the official Cambridge University Press template with numbered references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the Yearbook for Traditional Music format
Yearbook for Traditional Music is a peer-reviewed journal published by Cambridge University Press, covering Diverse Musicological Studies, Music History and Culture, Musicology and Musical Analysis.
| Publisher | Cambridge University Press |
|---|---|
| Reference style | Numbered Numbered — [1], [2] in the text [1] A. Smith, B. Jones, and C. Lee, A representative article title, Yearbook for Traditional Music 12 (2023) 45–58.
Formats any DOI in the closest standard style — Yearbook for Traditional Music has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Diverse Musicological Studies Music History and Culture Musicology and Musical Analysis Diverse Scientific and Economic Studies Asian Culture and Media Studies |
| ISSN | 0740-1558 |
| Citation impact (2-yr) | 0.16 |
| h-index | 53 |
| i10-index | 287 |
| Total citations | 14,045 |
| Top institutions publishing here | SwissLitho (Switzerland) |
| Journal website | www.cambridge.org |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Yearbook for Traditional Music per year
Citation impact of Yearbook for Traditional Music by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Yearbook for Traditional Music
In this work, Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about saying something through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has…
This volume explores two themes: the groove of firsthand experience and participation in music and the groove of musical mediation and commodification through recordings. A number of the authors' most important essays, all revised and updated, are introduced and framed by dialogues that supply additional context, introduce retrospective concerns and reveal connections. This format signals…