This article develops a theoretical analysis of music and mediation, building on the work of Theodor Adorno, Tia DeNora and Antoine Hennion. It begins by suggesting that Lydia Goehr’s account of the work concept requires such a perspective. Drawing on Alfred Gell’s anthropology of art, the article outlines an approach to mediation that incorporates understandings…
twentieth-century music Template
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About the twentieth-century music format
twentieth-century music is a peer-reviewed journal published by Cambridge University Press, covering Musicology and Musical Analysis, Music History and Culture, Diverse Musicological Studies.
| Publisher | Cambridge University Press |
|---|---|
| Reference style | Numbered Numbered — [1], [2] in the text [1] A. Smith, B. Jones, and C. Lee, A representative article title, twentieth-century music 12 (2023) 45–58.
Formats any DOI in the closest standard style — twentieth-century music has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Musicology and Musical Analysis Music History and Culture Diverse Musicological Studies Diverse Scientific and Economic Studies Educational Robotics and Engineering |
| ISSN | 1478-5722 |
| Citation impact (2-yr) | 0.59 |
| h-index | 25 |
| i10-index | 70 |
| Total citations | 3,206 |
| Top institutions publishing here | Perfect Harmony Health |
| Journal website | www.cambridge.org |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in twentieth-century music per year
Citation impact of twentieth-century music by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in twentieth-century music
Abstract This article offers clarifications and critiques of actor-network theory and its usefulness for music historiography. Reviewing the work of ANT theorists Bruno Latour, Annemarie Mol, and other social theorists (such as Georgina Born and Anna Tsing), the author explains that ANT is a methodology, not a theory. As a general introduction, the author outlines…
Abstract Music technology undergraduate degree programmes are a relatively new phenomenon in British higher education, situated at the intersection of music, digital technologies, and sound art. Such degrees have exploded in popularity over the past fifteen years. Yet the social and cultural ramifications of this development have not yet been analysed. In looking comparatively at…
Abstract This article explores how human curation and algorithmic recommendation are figured in cloud-based streaming platforms. In promoting their services as alternatives to illicit file-sharing, platforms such as Spotify, Deezer, and Apple Music have long touted the access they provide to a massive database of music. Yet the effectiveness of appeals to musical plenitude have…
This article examines a variety of compositional procedures that give rise to what the author defines as ‘accumulative’ and ‘cumulative’ forms in pop-rock music, formal processes which are directly linked to the rapid advances in recording technology that occurred mainly from the late 1960s to the 1980s. The article includes detailed transcriptions and analyses of…