Cambridge University Press

twentieth-century music Template

Write in a clean editor, then format for twentieth-century music in one click — DocuGuru applies the official Cambridge University Press template with numbered references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.

About the twentieth-century music format

twentieth-century music is a peer-reviewed journal published by Cambridge University Press, covering Musicology and Musical Analysis, Music History and Culture, Diverse Musicological Studies.

PublisherCambridge University Press
Reference styleNumbered
Numbered — [1], [2] in the text
[1] A. Smith, B. Jones, and C. Lee, A representative article title, twentieth-century music 12 (2023) 45–58.

Formats any DOI in the closest standard style — twentieth-century music has no published style definition, so this is an approximation. No sign-up.

Publishes research inMusicology and Musical Analysis Music History and Culture Diverse Musicological Studies Diverse Scientific and Economic Studies Educational Robotics and Engineering
ISSN1478-5722
Citation impact (2-yr)0.59
h-index25
i10-index70
Total citations3,206
Top institutions publishing herePerfect Harmony Health
Journal websitewww.cambridge.org
You getA submission-ready PDF and the editable LaTeX source — ready to submit.

Papers published in twentieth-century music per year

21
2014
22
2015
26
2016
37
2017
32
2018
39
2019
39
2020
29
2021
44
2022
42
2023
17
2024
30
2025

Citation impact of twentieth-century music by publication year

343
2014
156
2015
195
2016
220
2017
188
2018
136
2019
93
2020
48
2021
46
2022
23
2023
17
2024
13
2025

Citations each year’s papers have accumulated so far — the most recent years are still building up.

Most-cited papers in twentieth-century music

On Musical Mediation: Ontology, Technology and Creativity

Georgina Born · 1 Mar 2005

This article develops a theoretical analysis of music and mediation, building on the work of Theodor Adorno, Tia DeNora and Antoine Hennion. It begins by suggesting that Lydia Goehr’s account of the work concept requires such a perspective. Drawing on Alfred Gell’s anthropology of art, the article outlines an approach to mediation that incorporates understandings…

Actor-Networks in Music History: Clarifications and Critiques

Benjamin Piekut · 22 May 2014

Abstract This article offers clarifications and critiques of actor-network theory and its usefulness for music historiography. Reviewing the work of ANT theorists Bruno Latour, Annemarie Mol, and other social theorists (such as Georgina Born and Anna Tsing), the author explains that ANT is a methodology, not a theory. As a general introduction, the author outlines…

Music Technology, Gender, and Class: Digitization, Educational and Social Change in Britain

Georgina Born, Kyle Devine · 26 Aug 2015

Abstract Music technology undergraduate degree programmes are a relatively new phenomenon in British higher education, situated at the intersection of music, digital technologies, and sound art. Such degrees have exploded in popularity over the past fifteen years. Yet the social and cultural ramifications of this development have not yet been analysed. In looking comparatively at…

Why the Next Song Matters: Streaming, Recommendation, Scarcity

Eric Drott · 1 Oct 2018

Abstract This article explores how human curation and algorithmic recommendation are figured in cloud-based streaming platforms. In promoting their services as alternatives to illicit file-sharing, platforms such as Spotify, Deezer, and Apple Music have long touted the access they provide to a massive database of music. Yet the effectiveness of appeals to musical plenitude have…

(Ac)cumulative Form in Pop-Rock Music

Mark Spicer · 1 Mar 2004

This article examines a variety of compositional procedures that give rise to what the author defines as ‘accumulative’ and ‘cumulative’ forms in pop-rock music, formal processes which are directly linked to the rapid advances in recording technology that occurred mainly from the late 1960s to the 1980s. The article includes detailed transcriptions and analyses of…

twentieth-century music template — frequently asked questions

How do I write a paper in the twentieth-century music format?
In DocuGuru you write your manuscript in a normal editor — no LaTeX setup required — and select the twentieth-century music template. When you export, DocuGuru compiles the paper into the official Cambridge University Press format and hands you a submission-ready PDF along with the editable LaTeX source.
What reference style does twentieth-century music use?
twentieth-century music uses Numbered references, shown as numbered [1], [2] markers in the text. DocuGuru formats every in-text citation and the reference list in this exact style automatically. A reference appears like this: [1] A. Smith, B. Jones, and C. Lee, A representative article title, twentieth-century music 12 (2023) 45–58.
Do I need to know LaTeX to submit to twentieth-century music?
No. DocuGuru generates the null LaTeX class and compiles the PDF for you in the background, so you get a Cambridge University Press-ready twentieth-century music document without writing any LaTeX. If you do want it, the LaTeX source is included in the export.
Can I import an existing draft into the twentieth-century music template?
Yes. Paste or upload your current manuscript — Word, LaTeX, Markdown, or plain text — and DocuGuru reflows it into the twentieth-century music format with correct headings, figures, tables, and numbered citations.
Who publishes twentieth-century music?
twentieth-century music is a multidisciplinary journal published by Cambridge University Press. DocuGuru's twentieth-century music template matches Cambridge University Press's official submission format.
Can I export a submission-ready twentieth-century music PDF?
Yes — DocuGuru produces a PDF built with the official twentieth-century music template (the null class) that is ready to submit to Cambridge University Press, together with the matching LaTeX source files.
How much does the twentieth-century music template cost?
You can start writing in the twentieth-century music template for free. Exporting the final submission-ready twentieth-century music PDF and LaTeX source is part of DocuGuru's paid plans — see the app for current pricing.
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