Phelan's critical analysis of this anthology of performance foregrounds issues of corporeality, racial and sexual difference, reproductive rights and AIDS. Cultural practices of photography, film, theatre, political protest and performance art are discussed in relation to pshycoanalytic and feminist theories. Emphasis is placed on the works of Mapplethorpe, Schor, Sherman, Rainer, Livingston and Stoppard. Includes…
TDR/The Drama Review Template
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About the TDR/The Drama Review format
TDR/The Drama Review is a peer-reviewed journal published by Cambridge University Press, covering Theatre and Performance Studies, Diversity and Impact of Dance, Theater, Performance, and Music History.
| Publisher | Cambridge University Press |
|---|---|
| Reference style | Numbered Numbered — [1], [2] in the text [1] A. Smith, B. Jones, and C. Lee, A representative article title, TDR/The Drama Review 12 (2023) 45–58.
Formats any DOI in the closest standard style — TDR/The Drama Review has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Theatre and Performance Studies Diversity and Impact of Dance Theater, Performance, and Music History Cinema and Media Studies Art, Politics, and Modernism |
| ISSN | 1054-2043 |
| Citation impact (2-yr) | 0.3 |
| h-index | 60 |
| i10-index | 483 |
| Total citations | 23,629 |
| Top institutions publishing here | Oxford University Press (United Kingdom) |
| Journal website | www.cambridge.org |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in TDR/The Drama Review per year
Citation impact of TDR/The Drama Review by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in TDR/The Drama Review
From the Publisher: features a new chapter that takes the reader through virtual reality and beyond to a new level of human computer interaction that is genuinely transforming. Like its predecessor, this book presents a new theory of human-computer activity.
“Only middle-class academics could blithely assume that all the world is a text,” writes one of performance studies' leading figures. Conquergood argues for a hybrid discipline that celebrates experience and commingles the analytic and the artistic.
Politics and Poetics of Camp is a radical reappraisal of the meaning and discourse of camp. The contributors look at both the meaning and the uses of camp performance, and ask: is camp a style, or a witty but nonetheless powerful cultural critique? These essays investigate camp from its early formations in the 17th and…