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Royal Musical Association Research Chronicle is a peer-reviewed journal published by Cambridge University Press, covering Musicology and Musical Analysis, Legal case studies and regulations, Diverse Scientific and Economic Studies.
| Publisher | Cambridge University Press |
|---|---|
| Reference style | Numbered Numbered — [1], [2] in the text [1] A. Smith, B. Jones, and C. Lee, A representative article title, Royal Musical Association Research Chronicle 12 (2023) 45–58.
Formats any DOI in the closest standard style — Royal Musical Association Research Chronicle has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Musicology and Musical Analysis Legal case studies and regulations Diverse Scientific and Economic Studies Diverse Musicological Studies Historical Influence and Diplomacy |
| ISSN | 1472-3808 |
| Citation impact (2-yr) | 0.14 |
| h-index | 15 |
| i10-index | 20 |
| Total citations | 1,181 |
| Top institutions publishing here | Durham University |
| Journal website | www.cambridge.org |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Abstract Attempts to give a complete account of music: its nature, meaning, and value. The book begins from an examination of sound, distinguishes sound from tone, and identifies tones as intentional (but not material) objects. Musical understanding is based in a form of imaginative perception, in which metaphors of space, weight, effort, and movement play…
Books of medieval polyphony were relatively short-lived by comparison with other forms of book. Once their contents had become outdated, they were often broken up and used as scrap parchment. The debris from a few of these books survives in bindings and as wrappers for documents. The evidence for the existence of others must be…
The death of J.C. Bach on 1 January 1782 coincided with a number of changes in London's concert life. The principal subscription series, the Bach-Abel concerts, had been losing support for a number of years; and though Abel continued with the concerts in 1782, there was scope for a new initiative. Such an initiative was…
Under the provisions of the 1709 Copyright Act, Scottish universities were entitled to a copy of each printed work entered at Stationers' Hall, London. This entitlement ceased in 1836 when the five Scottish universities agreed to receive an annual payment in lieu of the privilege of deposit. Amongst the many difficulties thrown up by the…
The Early English Church Music Committee of the British Academy plans a series of volumes devoted to the music of the fifteenth century, to be supervised by a separate sub-committee. While not constituting a publication list as such, the present enterprise has been commissioned to facilitate the speedier publication of this repertory. Hence, its purpose…
