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Nineteenth-Century Music Review Template

Write in a clean editor, then format for Nineteenth-Century Music Review in one click — DocuGuru applies the official Cambridge University Press template with numbered references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.

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About the Nineteenth-Century Music Review format

Nineteenth-Century Music Review is a peer-reviewed journal published by Cambridge University Press, covering Musicology and Musical Analysis, Diverse Musicological Studies, Diverse Scientific and Economic Studies.

PublisherCambridge University Press
Reference styleNumbered
Numbered — [1], [2] in the text
[1] A. Smith, B. Jones, and C. Lee, A representative article title, Nineteenth-Century Music Review 12 (2023) 45–58.

Formats any DOI in the closest standard style — Nineteenth-Century Music Review has no published style definition, so this is an approximation. No sign-up.

Publishes research inMusicology and Musical Analysis Diverse Musicological Studies Diverse Scientific and Economic Studies Historical Influence and Diplomacy Theater, Performance, and Music History
ISSN1479-4098
Citation impact (2-yr)0.1
h-index17
i10-index35
Total citations1,177
Top institutions publishing hereDurham University
Journal websitewww.cambridge.org
You getA submission-ready PDF and the editable LaTeX source — ready to submit.

Papers published in Nineteenth-Century Music Review per year

51
2014
62
2015
86
2016
78
2017
59
2018
58
2019
55
2020
49
2021
64
2022
48
2023
37
2024
54
2025

Citation impact of Nineteenth-Century Music Review by publication year

24
2014
9
2015
38
2016
74
2017
35
2018
13
2019
117
2020
23
2021
28
2022
12
2023
7
2024
4
2025

Citations each year’s papers have accumulated so far — the most recent years are still building up.

Most-cited papers in Nineteenth-Century Music Review

‘The Most Interesting Genre of Music’: Performance, Sociability and Meaning in the Classical String Quartet, 1800–1830

Mary Hunter · 24 May 2012

It has long been recognized that journalistic discourse about the string quartet in early nineteenth-century sources stressed its elevation and seriousness in comparison to other genres, and that the string quartets of Haydn, Mozart and Beethoven were described as ‘classical’ very early in the century. Less well known is that the idea of performance is…

85 citations Cite SaveGo to paper →
Herder's Nineteenth Century

Philip V. Bohlman · 1 Jun 2010

I begin this essay epigrammatically with song, with a single song that came to tell an historical tale of the nineteenth century (Fig. 1, p. 3). We know this single song in many versions, though it is perhaps the second version that most musicians and scholars of the nineteenth century, more accustomed to playing or…

37 citations Cite SaveGo to paper →
‘Volk von Brüdern’: The German-speaking Liedertafel in Melbourne

Kerry Murphy · 1 Nov 2005

A Liedertafel concert at which the former Governor His Excellency Sir Henry Loch and Lady Loch were present was reported in the Illustrated Australian News and Musical Times of 1889 as follows: In the course of some remarks Lord Loch made the statement that the advancement of musical culture in Melbourne is to be attributed…

33 citations Cite SaveGo to paper →
Toward a Post-Humanist Organicism

Holly Watkins · 17 Jan 2017

Recent critiques of organicism in music studies have assumed that such features as part–whole integration and end-oriented development are essential to comparisons between music and the organic realm. Yet if what is thought to constitute organicism varies with perspectives on organisms in general, then perhaps it is time to take a different view of organicism’s…

31 citations Cite SaveGo to paper →

Nineteenth-Century Music Review template — frequently asked questions

How do I write a paper in the Nineteenth-Century Music Review format?
In DocuGuru you write your manuscript in a normal editor — no LaTeX setup required — and select the Nineteenth-Century Music Review template. When you export, DocuGuru compiles the paper into the official Cambridge University Press format and hands you a submission-ready PDF along with the editable LaTeX source.
What reference style does Nineteenth-Century Music Review use?
Nineteenth-Century Music Review uses Numbered references, shown as numbered [1], [2] markers in the text. DocuGuru formats every in-text citation and the reference list in this exact style automatically. A reference appears like this: [1] A. Smith, B. Jones, and C. Lee, A representative article title, Nineteenth-Century Music Review 12 (2023) 45–58.
Do I need to know LaTeX to submit to Nineteenth-Century Music Review?
No. DocuGuru generates the null LaTeX class and compiles the PDF for you in the background, so you get a Cambridge University Press-ready Nineteenth-Century Music Review document without writing any LaTeX. If you do want it, the LaTeX source is included in the export.
Can I import an existing draft into the Nineteenth-Century Music Review template?
Yes. Paste or upload your current manuscript — Word, LaTeX, Markdown, or plain text — and DocuGuru reflows it into the Nineteenth-Century Music Review format with correct headings, figures, tables, and numbered citations.
Who publishes Nineteenth-Century Music Review?
Nineteenth-Century Music Review is a multidisciplinary journal published by Cambridge University Press. DocuGuru's Nineteenth-Century Music Review template matches Cambridge University Press's official submission format.
Can I export a submission-ready Nineteenth-Century Music Review PDF?
Yes — DocuGuru produces a PDF built with the official Nineteenth-Century Music Review template (the null class) that is ready to submit to Cambridge University Press, together with the matching LaTeX source files.
How much does the Nineteenth-Century Music Review template cost?
You can start writing in the Nineteenth-Century Music Review template for free. Exporting the final submission-ready Nineteenth-Century Music Review PDF and LaTeX source is part of DocuGuru's paid plans — see the app for current pricing.
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