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New Theatre Quarterly is a peer-reviewed journal published by Cambridge University Press, covering Theatre and Performance Studies, Irish and British Studies, Shakespeare, Adaptation, and Literary Criticism.
| Publisher | Cambridge University Press |
|---|---|
| Reference style | Numbered Numbered — [1], [2] in the text [1] A. Smith, B. Jones, and C. Lee, A representative article title, New Theatre Quarterly 12 (2023) 45–58.
Formats any DOI in the closest standard style — New Theatre Quarterly has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Theatre and Performance Studies Irish and British Studies Shakespeare, Adaptation, and Literary Criticism Theater, Performance, and Music History Diverse Scientific and Economic Studies |
| ISSN | 0266-464X |
| Citation impact (2-yr) | 0.12 |
| h-index | 32 |
| i10-index | 146 |
| Total citations | 5,897 |
| Top institutions publishing here | University of Theatre and Film Arts |
| Journal website | journals.cambridge.org |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
‘Verbatim Theatre’ has been the term utilized by Derek Paget during his extensive researches into that form of documentary drama which employs (largely or exclusively) tape-recorded material from the ‘real-life’ originals of the characters and events to which it gives dramatic shape. Though clearly indebted to sources such as the radio ballads of the 'fifties,…
One of the persistent problems in acting, and one that seems to grow steadily in importance, comes from the public identity of the actor. This study suggests that a semiotic approach to the acting sign can help to distinguish the function of celebrity in acting, the threats to authority that celebrity imposes, and the results…
‘Community’ has, suggests Graham Woodruff, a friendly ring: yet it is also a weasel word, lending a stamp of often spurious togetherness to bodies politic or theatric. Thus, the use of ‘community’ in the geographical sense is often drained of any true meaning, where it is not a cover for the avoidance of contentious political…
The dramatic upsurge of contemporary new writing on British stages in the past decade, and the emergence of a fresh generation of playwrights led by such talents as Mark Ravenhill, Philip Ridley, Joe Penhall, Phyllis Nagy, Patrick Marber, and the late Sarah Kane, has been variously characterized as the ‘New Brutalism’ or even, in Germany,…
A recent preoccupation with space and place has drawn together theorists and workers in a wide range of disciplines, including human geographers, archaeologists, architects, cartographers, psychoanalysts, sociologists, poets, novelists – and theatre practitioners. There are therefore a range of lenses, a range of vocabularies, through which site-specific theatre and performance can be considered. In this…
