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Eighteenth Century Music Template

Write in a clean editor, then format for Eighteenth Century Music in one click — DocuGuru applies the official Cambridge University Press template with numbered references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.

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About the Eighteenth Century Music format

Eighteenth Century Music is a peer-reviewed journal published by Cambridge University Press, covering Musicology and Musical Analysis, Diverse Musicological Studies, Historical Influence and Diplomacy.

PublisherCambridge University Press
Reference styleNumbered
Numbered — [1], [2] in the text
[1] A. Smith, B. Jones, and C. Lee, A representative article title, Eighteenth Century Music 12 (2023) 45–58.

Formats any DOI in the closest standard style — Eighteenth Century Music has no published style definition, so this is an approximation. No sign-up.

Publishes research inMusicology and Musical Analysis Diverse Musicological Studies Historical Influence and Diplomacy Diverse Scientific and Economic Studies Legal case studies and regulations
ISSN1478-5706
Citation impact (2-yr)0.02
h-index26
i10-index49
Total citations1,829
Top institutions publishing herePerfect Harmony Health
Journal websitewww.cambridge.org
You getA submission-ready PDF and the editable LaTeX source — ready to submit.

Papers published in Eighteenth Century Music per year

49
2014
61
2015
61
2016
66
2017
66
2018
47
2019
63
2020
57
2021
43
2022
43
2023
47
2024
49
2025

Citation impact of Eighteenth Century Music by publication year

74
2014
78
2015
46
2016
59
2017
40
2018
10
2019
14
2020
8
2021
8
2022
12
2023
1
2024
2
2025

Citations each year’s papers have accumulated so far — the most recent years are still building up.

Most-cited papers in Eighteenth Century Music

HEROIC HAYDN, THE OCCASIONAL WORK AND ‘MODERN’ POLITICAL MUSIC

Nicholas Mathew · 1 Mar 2007

Abstract Several compositions by Haydn from the 1790s appear to reflect, both directly and indirectly, the newly martial and patriotic atmosphere generated by the war with France. While this has long been recognized by music historians – in particular with reference to ‘Gott erhalte Franz den Kaiser’ – Haydn scholars have yet to describe or…

83 citations Cite SaveGo to paper →
THE EIGHTEENTH CENTURY AS A MUSIC-HISTORICAL PERIOD?

James Webster · 1 Mar 2004

Period concepts and periodizations are constructions, or readings, and hence always subject to reinterpretation. Many recent scholars have privileged institutional and reception history over style and compositional history, and periodized European music according to the ‘centuries’; but these constructions are no less partial or tendentious than older ones. Recent historiographical writings addressing these issues are…

77 citations Cite SaveGo to paper →
ON THE RELATION OF MUSICAL <i>TOPOI</i> TO FORMAL FUNCTION

William E. Caplin · 1 Mar 2005

The theory of musical topoi (or topics) has emerged in recent decades as a powerful tool for the analysis of musical expression within tonal repertories. Largely originating in Leonard Ratner’s ground-breaking treatise Classic Music from 1980, it has since been considerably developed and extended by some of his students, especially Wye Allanbrook and Kofi Agawu.…

72 citations Cite SaveGo to paper →
E. T. A. HOFFMANN AND THE ETHEREAL TECHNOLOGIES OF ‘NATURE MUSIC’

Emily I. Dolan · 1 Mar 2008

ABSTRACT In 1814, E. T. A. Hoffmann published his short story, Die Automate . The story concerns the dealings of two friends and a fortune-telling automaton, the Turk, whose prophetic utterances seem to reveal a supernatural and psychic ability. Although the story first appeared in the Allegemeine musikalische Zeitung , it has been mostly overlooked…

61 citations Cite SaveGo to paper →

Eighteenth Century Music template — frequently asked questions

How do I write a paper in the Eighteenth Century Music format?
In DocuGuru you write your manuscript in a normal editor — no LaTeX setup required — and select the Eighteenth Century Music template. When you export, DocuGuru compiles the paper into the official Cambridge University Press format and hands you a submission-ready PDF along with the editable LaTeX source.
What reference style does Eighteenth Century Music use?
Eighteenth Century Music uses Numbered references, shown as numbered [1], [2] markers in the text. DocuGuru formats every in-text citation and the reference list in this exact style automatically. A reference appears like this: [1] A. Smith, B. Jones, and C. Lee, A representative article title, Eighteenth Century Music 12 (2023) 45–58.
Do I need to know LaTeX to submit to Eighteenth Century Music?
No. DocuGuru generates the null LaTeX class and compiles the PDF for you in the background, so you get a Cambridge University Press-ready Eighteenth Century Music document without writing any LaTeX. If you do want it, the LaTeX source is included in the export.
Can I import an existing draft into the Eighteenth Century Music template?
Yes. Paste or upload your current manuscript — Word, LaTeX, Markdown, or plain text — and DocuGuru reflows it into the Eighteenth Century Music format with correct headings, figures, tables, and numbered citations.
Who publishes Eighteenth Century Music?
Eighteenth Century Music is a multidisciplinary journal published by Cambridge University Press. DocuGuru's Eighteenth Century Music template matches Cambridge University Press's official submission format.
Can I export a submission-ready Eighteenth Century Music PDF?
Yes — DocuGuru produces a PDF built with the official Eighteenth Century Music template (the null class) that is ready to submit to Cambridge University Press, together with the matching LaTeX source files.
How much does the Eighteenth Century Music template cost?
You can start writing in the Eighteenth Century Music template for free. Exporting the final submission-ready Eighteenth Century Music PDF and LaTeX source is part of DocuGuru's paid plans — see the app for current pricing.
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