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Early Music History is a peer-reviewed journal published by Cambridge University Press, covering Musicology and Musical Analysis, Reformation and Early Modern Christianity, Medieval Literature and History.
| Publisher | Cambridge University Press |
|---|---|
| Reference style | Numbered Numbered — [1], [2] in the text [1] A. Smith, B. Jones, and C. Lee, A representative article title, Early Music History 12 (2023) 45–58.
Formats any DOI in the closest standard style — Early Music History has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Musicology and Musical Analysis Reformation and Early Modern Christianity Medieval Literature and History Diverse Musicological Studies Historical Influence and Diplomacy |
| ISSN | 0261-1279 |
| h-index | 44 |
| i10-index | 117 |
| Total citations | 5,052 |
| Top institutions publishing here | Princeton University |
| Journal website | journals.cambridge.org |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
This article was first planned in 1976. It owes its existence to Pierluigi Petrobelli who, charged with organising a round table on seventeenth-century music drama for the Twelfth Congress of the International Musicological Society, Berkeley 1977, invited the authors to prepare a paper as a focus for discussion and offered them constant encouragement throughout its…
Niccolò Fausti, master of ceremonies at St Mark's Venice from 1576 to 1598, in one of his several additions at the back of a manuscript ceremoniale of 1564, lists the days on which Vespers in the ducal basilica were performed by two choirs of singers.
In the years since Craig Wright published his study of Du Fay at Cambrai interest in the composer has grown apace. In his recent study of the composer David Fallows has given us a ‘rich harvest of “adjusted” information’ concerning Du Fay's life as well as valuable insights into the music. This study is a…
The Rule of St Benedict ( c. 520) mentions a cantor only once. The celebrated twelfth-century Liber ordinis , a book of monastic regulations compiled at the Abbey of St Victor in Paris, requires several folios to outline all the duties of the cantor's office. During the six centuries separating these two sources, the monastic…
Early-fifteenth-century music seems to be different from that of previous ages not only in that it contains new stylistic elements, but also in the way in which its novelty was brought about. Perotinus composed in a more advanced style than Leoninus, Philippe de Vitry superseded Petrus de Cruce: in such cases a renewal takes place…
