Dance Research Journal Template
Write in a clean editor, then format for Dance Research Journal in one click — DocuGuru applies the official Cambridge University Press template with numbered references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the Dance Research Journal format
Dance Research Journal is a peer-reviewed journal published by Cambridge University Press, covering Diversity and Impact of Dance, Diverse Scientific and Economic Studies, Human auditory perception and evaluation.
| Publisher | Cambridge University Press |
|---|---|
| Reference style | Numbered Numbered — [1], [2] in the text [1] A. Smith, B. Jones, and C. Lee, A representative article title, Dance Research Journal 12 (2023) 45–58.
Formats any DOI in the closest standard style — Dance Research Journal has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Diversity and Impact of Dance Diverse Scientific and Economic Studies Human auditory perception and evaluation Musicology and Musical Analysis Theater, Performance, and Music History |
| ISSN | 0149-7677 |
| h-index | 58 |
| i10-index | 360 |
| Total citations | 15,937 |
| Top institutions publishing here | Independent Dance |
| Journal website | www.cambridge.org |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Dance Research Journal per year
Citation impact of Dance Research Journal by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Dance Research Journal
Laurence Louppe once advanced the intriguing notion that the dancer is “the veritable avatar of Orpheus: he has no right to turn back on his course, lest he be denied the object of his quest” (Louppe 1994, 32). However, looking across the contemporary dance scene in Europe and the United States, one cannot escape the…
Dance is frequently described as being “about” movement. “Dance,” writes Ann Daly, “although it has a visual component, is fundamentally a kinesthetic art” (Daly 1992, 243). Audience experiences of dance can therefore be conceptualized in terms of responses to movement, most prominently in terms of what has been described as “kinesthetic empathy.” What does it…