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World Art is a peer-reviewed journal published by Taylor & Francis, covering Art, Politics, and Modernism, Cultural Industries and Urban Development, Archaeology and Rock Art Studies.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." World Art 12 (3): 45–58.
Formats any DOI in World Art style. No sign-up. |
| Publishes research in | Art, Politics, and Modernism Cultural Industries and Urban Development Archaeology and Rock Art Studies Japanese History and Culture Cultural Heritage Management and Preservation |
| ISSN | 2150-0894 |
| Citation impact (2-yr) | 0.9 |
| h-index | 15 |
| i10-index | 25 |
| Total citations | 1,056 |
| Top institutions publishing here | University of East Anglia |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
This article discusses the possible effects of climate change–related visual art, based on a comprehensive review of the psychological research literature. Taking a psychological perspective, potential effects of confrontation with such works of art are explored and a preliminary conceptual framework is proposed about special features of art that go beyond other means of communication.…
This article examines the transformation of museums and the rise of art fairs as arenas for assembling Latin American art and agents at regional and larger scales, and as channels through which the work of the market and its templates has spread. It approaches this topic through the analysis of the Lima art scene and…
Contemporary art issues from a new sense of what constitutes ‘the world,’ and from a radically expanded sense of what constitutes ‘art.’ It is distinct in these ways from art produced in any earlier period, including modernity. A limited number of specific worlds are contemporaneous with each other in contemporary life, and in contemporary art.…
Abstract This paper examines a corpus of rock art images produced by ancestral Comanches during the early eighteenth century. The images were lightly scratched and the gestures that produced them left behind only the faintest of traces. With careful study, one can read these traces, organize them into icons, and interpret them as finished products.…
More than any other institution in the art field, biennials mediate the local, national and transnational. In this sense, biennials can be called ‘hegemonic machines’ that link the local to the global within the field of symbolic struggles for legitimation. In this article, a brief genealogy is presented to show how anti- and postcolonial biennials…
