Visual Culture in Britain Template
Write in a clean editor, then format for Visual Culture in Britain in one click — DocuGuru applies the official Taylor & Francis template with author–year references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the Visual Culture in Britain format
Visual Culture in Britain is a peer-reviewed journal published by Taylor & Francis, covering Historical Art and Culture Studies, Photography and Visual Culture, Art, Politics, and Modernism.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Visual Culture in Britain 12 (3): 45–58.
Formats any DOI in Visual Culture in Britain style. No sign-up. |
| Publishes research in | Historical Art and Culture Studies Photography and Visual Culture Art, Politics, and Modernism Visual Culture and Art Theory Scottish History and National Identity |
| ISSN | 1471-4787 |
| Citation impact (2-yr) | 0.02 |
| h-index | 13 |
| i10-index | 22 |
| Total citations | 773 |
| Top institutions publishing here | Twitter (United States) |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Visual Culture in Britain per year
Citation impact of Visual Culture in Britain by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Visual Culture in Britain
This article focuses on Henry Tonks’ pastel studies of wounded First World War servicemen before, after, and during facial surgery. Viewed alongside archival photographs of the same patients from the Cambridge Hospital at Aldershot and The Queen’s Hospital in Sidcup, Tonks’ drawings disturb the conventions both of medical illustration and portraiture: they are discussed here…
Ethical consumption as a form of consumerism suggests that there can be a benign form of globalization where consumers can effect positive change by exercising the ?choice? of opting for fair trade. In marketing this choice, fair trade advertising of tea, cocoa and coffee in particular has adopted the image of the smiling and happy…
The invention of dactylography in the nineteenth century was inextricably linked to the imperial encounter between the British and their colonial subjects in India. Represented as a scientific technology, fingerprinting was used to produce abstract images of Indian bodies that could be placed within an archival system. The semiotic properties of fingerprinting along with the…
The article begins by discussing changing modes of display for non-Western visual cultures in Western museums, including Britain. Using the ‘Benin bronzes’ as a case study, the article argues for the existence of three distinct frameworks of display, linked to changing paradigms of art practice (broadly speaking, academic, modernist and postmodern/postcolonial). In the second part,…