Abstract Hardy's short story The Withered Arm highlights the use of telepathic touch, touching at a distance where the spiritual or spectral becomes material again. By first delineating the Victorian understanding of the mechanics touch, this paper explores how Rhoda Brook's apparently malignant dreamstate touch of Mrs Lodge's arm complicates the ethics of touch. Hardy's…
The Hardy Review Template
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About the The Hardy Review format
The Hardy Review is a peer-reviewed journal published by Taylor & Francis, covering Thomas Hardy Literature Studies, Contemporary Literature and Criticism, American and British Literature Analysis.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." The Hardy Review 12 (3): 45–58.
Formats any DOI in The Hardy Review style. No sign-up. |
| Publishes research in | Thomas Hardy Literature Studies Contemporary Literature and Criticism American and British Literature Analysis Poetry Analysis and Criticism Educational Leadership and Practices |
| ISSN | 1934-8908 |
| h-index | 2 |
| Total citations | 16 |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in The Hardy Review per year
Citation impact of The Hardy Review by publication year
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Most-cited papers in The Hardy Review
Abstract Hardy's work is very much about experiencing the loss of illusions, and in his verse, disillusionment often appears in two phases. The shift from one mode to the other is directly imparted to the language of his poetry, to the voice that communicates the experience of disenchantment: the poetic voice first laments the loss…
Abstract This article examines the intersection of Lady Mary Jeune's (1845–1931) half dozen periodical essays on the fallen woman published in the 1880s and 1890s, her accompanying philanthropic work, and Hardy's construction of the fallen woman in Tess of the d'Urbervilles. Hardy read and commented on Jeune's essays, which appeared in the Fortnightly Review and…
Abstract Hardy's distinctive creation, the world he called Wessex, has, in recent years, been increasingly regarded as a dubious construction too often used by critics in the liberal humanist tradition as the basis for seeing the Wessex Novels as mythic or tragic narratives. Materialist critics such as Goode, Fisher, Widdowson, and Wotton have argued that…