Abstract Numerous synthetic resins have been developed for use as binding media in twentieth‐century paint. These synthetic paints, including those intended for household or industrial markets as well as those designed specifically for artists’ use, have been widely used on works of art. However, most painting conservators are still relatively unfamiliar with the types of…
The Conservator Template
Write in a clean editor, then format for The Conservator in one click — DocuGuru applies the official Taylor & Francis template with author–year references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the The Conservator format
The Conservator is a peer-reviewed journal published by Taylor & Francis, covering Conservation Techniques and Studies, Cultural Heritage Materials Analysis, Cultural Heritage Management and Preservation.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." The Conservator 12 (3): 45–58.
Formats any DOI in The Conservator style. No sign-up. |
| Publishes research in | Conservation Techniques and Studies Cultural Heritage Materials Analysis Cultural Heritage Management and Preservation Building materials and conservation Diverse Scientific and Economic Studies |
| ISSN | 0140-0096 |
| h-index | 21 |
| i10-index | 53 |
| Total citations | 1,733 |
| Top institutions publishing here | British Museum |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in The Conservator per year
Citation impact of The Conservator by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in The Conservator
(1979). THE TESTING OF MATERIALS FOR USE IN STORAGE AND DISPLAY IN MUSEUMS. The Conservator: Vol. 3, No. 1, pp. 16-19.
(1992). THE REMOVAL OF SURFACE DIRT ON PAINTINGS WITH CHELATING AGENTS. The Conservator: Vol. 16, No. 1, pp. 28-38.
Abstract Documentary research into English artists’ manuals of 1800–1900 has been carried out to shed light on available materials and recommended practices for painting in the nineteenth century. Knowledge of typical practices and the use of new materials is as important as knowledge of their first date of availability. Adulteration of colours and substitution of…
(1982). The instability of cellulose nitrate adhesives. The Conservator: Vol. 6, No. 1, pp. 31-34.