This article aims to sketch out the landscape of screenwriting in mainstream French cinema in the post-war period (1945–1958). Taking the box office top twenty for each year as its corpus, this article will set out the situation of screenwriting in France in relation to the variety of genres and types of films favoured by…
Studies in French Cinema Template
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About the Studies in French Cinema format
Studies in French Cinema is a peer-reviewed journal published by Taylor & Francis, covering French Historical and Cultural Studies, Cinema and Media Studies, Historical Studies and Socio-cultural Analysis.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Studies in French Cinema 12 (3): 45–58.
Formats any DOI in Studies in French Cinema style. No sign-up. |
| Publishes research in | French Historical and Cultural Studies Cinema and Media Studies Historical Studies and Socio-cultural Analysis African history and culture studies French Literature and Critical Theory |
| ISSN | 1471-5880 |
| h-index | 12 |
| i10-index | 18 |
| Total citations | 1,169 |
| Top institutions publishing here | King's College London |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Studies in French Cinema per year
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Most-cited papers in Studies in French Cinema
AbstractThe aim of this article is to explore the current state of theorizing around questions of national and transnational cinema and to propose an approach which I am calling a ‘cinema of transvergence’ as a means of better understanding the complex relationship between national, transnational and postcolonial/diasporic cinemas. The work and situation of Algerian film-makers…
Critical and theoretical accounts of cinematic space to date have habitually privileged the visible spaces on the screen over the invisible spaces which lie beyond them. Nevertheless, a handful of ...
AbstractThis essay looks at the influence of nineteenth-century magic arts on early film-makers, looking particularly at Georges Melies and the Lumiere Brothers. I hope to show that the origins of cinematic illusion lie in an earlier art form which fused science and showmanship. The historical links between magic and cinema can help us to understand…
AbstractWith the publication of Trafic's fiftieth issue in 2004 and the release in 2005 of Itineraire d'un cine-fils on DVD, Serge Daney remains an important influence for Francophone film critics. The comparative absence of attention to his work in Anglophone circles is remarkable and a disservice to our understanding of both cinema and its criticism.…