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Popular Music & Society is a peer-reviewed journal published by Taylor & Francis, covering Music History and Culture, Musicology and Musical Analysis, Diverse Musicological Studies.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Popular Music & Society 12 (3): 45–58.
Formats any DOI in Popular Music & Society style. No sign-up. |
| Publishes research in | Music History and Culture Musicology and Musical Analysis Diverse Musicological Studies Theater, Performance, and Music History Cultural Industries and Urban Development |
| ISSN | 0300-7766 |
| Citation impact (2-yr) | 0.65 |
| h-index | 57 |
| i10-index | 471 |
| Total citations | 17,035 |
| Top institutions publishing here | Bowling Green State University |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Music streaming services encompass features that enable the organization of music into playlists. This article inquires how users describe and make sense of practices and experiences of creating, curating, maintaining, and using personal playlists. The analysis relies on a mixed-method study, including music-diary self-reports, online observations, and in-depth interviews with 12 heavy users of Spotify…
(2004). Eminem's Construction of Authenticity. Popular Music and Society: Vol. 27, No. 3, pp. 335-355.
(2003). Spaghetti Funk: Appropriations of Hip-Hop Culture and Rap Music in Europe. Popular Music and Society: Vol. 26, No. 4, pp. 463-479.
Like her chart-breaking musical success, Lady Gaga's relationship with fans, built by her messages of self-acceptance and by her intense engagement with fans through social media, is unprecedented. Through one-on-one interviews with an international sample of 45 self-described Little Monsters, we explored this unusual fan-celebrity relationship and found that Lady Gaga's re-articulation of the negative…
Abstract This article defines the music category "indie rock" not just as an aesthetic genre, but as a method of social differentiation as well as a marketing tool. Using Pierre Bourdieu's concept of "cultural capital," it draws a parallel between indie rock and high art, both of which depend upon a lack of popularity for…
