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Journal of the British Archaeological Association is a peer-reviewed journal published by Taylor & Francis, covering Human auditory perception and evaluation, Diverse Scientific and Economic Studies, Archaeological Research and Protection.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Journal of the British Archaeological Association 12 (3): 45–58.
Formats any DOI in Journal of the British Archaeological Association style. No sign-up. |
| Publishes research in | Human auditory perception and evaluation Diverse Scientific and Economic Studies Archaeological Research and Protection Medieval Literature and History Archaeology and ancient environmental studies |
| ISSN | 0068-1288 |
| h-index | 23 |
| i10-index | 71 |
| Total citations | 3,414 |
| Top institutions publishing here | Courtauld Institute of Art |
| Journal website | www.ingentaconnect.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
AbstractAbstractThis paper considers the striking juxtaposition of prehistoric and early medieval monuments observed at Yeavering and other sites. It suggests that rather than showing continuity of ritual significance, these phenomena evidence attempts by a social elite to legitimise their position through reference to the past. The argument is illustrated by discussion of the Northumbrian palaces…
(1969). The Art of the Codex Amiatinus: Jarrow Lecture 1967. Journal of the British Archaeological Association: Vol. 32, No. 1, pp. 1-25.
(1969). London Clay Tobacco Pipes. Journal of the British Archaeological Association: Vol. 32, No. 1, pp. 171-227.
This paper surveys the arts of Roman Britain and considers the understanding of Classical myth which they embody. Collingwood's pessimistic assessment of the effects of the Roman conquest is rebutted. It is pointed out that the events of A.D. 43 brought an immediate expansion of patronage which smiths, and later sculptors and other artists, were…
