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Journal of Aesthetics and Phenomenology is a peer-reviewed journal published by Taylor & Francis, covering Philosophy, Ethics, and Existentialism, Phenomenology and Existential Philosophy, Visual Culture and Art Theory.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Journal of Aesthetics and Phenomenology 12 (3): 45–58.
Formats any DOI in Journal of Aesthetics and Phenomenology style. No sign-up. |
| Publishes research in | Philosophy, Ethics, and Existentialism Phenomenology and Existential Philosophy Visual Culture and Art Theory Philosophy, Science, and History Ethics, Aesthetics, and Art |
| ISSN | 2053-9320 |
| Citation impact (2-yr) | 0.26 |
| h-index | 9 |
| i10-index | 9 |
| Total citations | 359 |
| Top institutions publishing here | University of Helsinki |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
While the notions of creativity and agency have each received considerable attention in the literature on computational systems, the connections between these two concepts have rarely been addressed. In this paper, I contribute to this debate by discussing the results of an online questionnaire aimed at testing the interactions between the attribution of agency and…
The ideological and methodological oppositions that divide philosophy generally into realisms and idealisms, objectivisms and subjectivisms, also pervade aesthetic theory. The question arises whether there was beauty in the world prior to the emergence of intelligent perceivers like ourselves, or whether beauty itself comes into existence only through the perceptual idiosyncrasies with which we happen…
This paper argues that the Husserlian notion of “passive synthesis” can make a substantial contribution to the understanding of aesthetic experience. The argument is based on two empirical cases of qualitative interview material obtained from museum visitors and a world-renowned string quartet, which show that aesthetic experience contains an irreducible dimension of passive undergoing and…
Ineffability of musical meaning is a frequent theme in music philosophy. However, talk about musical meaning persists and seems to be not only inherently enjoyable and socially acceptable, but also functionally useful. Relying on a phenomenological account of musical meaning combined with a naturalist explanatory attitude, we argue for a novel explanation of how ineffability…
In traditional Maori discourse, the division between metaphysical concepts and everyday life was non-existent. Because of that lack of delineation, the perception of objects was governed by certain beginning assumptions. Due to colonization, however, entities—and the conception of them—threaten to become unmoored from their primordiality. One example of this tendency lies in the current and…
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