Abstract A formalism is developed for providing a measure of dissonance in a superposition of complex tones. The formalism is based on an extension of the Helmholtz‐Plomp and Levelt model of beating as the cause of dissonance. For dyads this measure of dissonance gives a good fit to psychological rank orderings of dissonance and its…
Interface Template
Write in a clean editor, then format for Interface in one click — DocuGuru applies the official Taylor & Francis template with author–year references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the Interface format
Interface is a peer-reviewed journal published by Taylor & Francis, covering Music Technology and Sound Studies, Musicology and Musical Analysis, Music and Audio Processing.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Interface 12 (3): 45–58.
Formats any DOI in Interface style. No sign-up. |
| Publishes research in | Music Technology and Sound Studies Musicology and Musical Analysis Music and Audio Processing Diverse Scientific and Economic Studies Diverse Musicological Studies |
| ISSN | 0303-3902 |
| h-index | 16 |
| i10-index | 32 |
| Total citations | 1,402 |
| Top institutions publishing here | Utrecht University |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Interface per year
Citation impact of Interface by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Interface
Abstract The Piano Tutor provides computer‐based instruction to beginning piano students. Intended as a supplement to traditional instruction, the Piano Tutor helps students by correcting mistakes before they become ingrained through practice and by teaching new material as soon as the student is ready. The Piano Tutor combines an expert system with state‐of‐the‐art music recognition…
Abstract EMI was founded in 1983 as a project for understanding musical style. The motive for establishing it was purely selfish: the author's desire to have help in finishing a commission. He focused on how to imitate musical styles, since nothing useful could be accomplished if the computer did not understand how to produce viable…
Abstract Researchers from many branches of scientific knowledge have been attracted by the organizational principles found in music. Also music has been an interesting domain for the application of new discoveries in science, inviting people to combine artistic creativity with scientific methods. A new environment has emerged in the domain of musical composition; what is…