History of Photography Template
Write in a clean editor, then format for History of Photography in one click — DocuGuru applies the official Taylor & Francis template with author–year references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the History of Photography format
History of Photography is a peer-reviewed journal published by Taylor & Francis, covering Photography and Visual Culture, Visual Culture and Art Theory, Human auditory perception and evaluation.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." History of Photography 12 (3): 45–58.
Formats any DOI in History of Photography style. No sign-up. |
| Publishes research in | Photography and Visual Culture Visual Culture and Art Theory Human auditory perception and evaluation Diverse Scientific and Economic Studies Historical Art and Culture Studies |
| ISSN | 0308-7298 |
| Citation impact (2-yr) | 0.21 |
| h-index | 27 |
| i10-index | 154 |
| Total citations | 5,273 |
| Top institutions publishing here | Schlumberger (Ireland) |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in History of Photography per year
Citation impact of History of Photography by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in History of Photography
Abstract Abstract How can photography be restored to its own history? And how can we ensure this history will be both materially grounded and conceptually expansive, just like the medium itself? Well, perhaps we should start by considering what has ahnost always been excluded from photography's history: ordinary photographs, the ones made or bought (or…
Aerial photographs are most commonly associated with notions of panoptic vision or the environmental sublime. This paper reviews the dystopian and utopian discourses surrounding aerial photography and suggests a third approach to understanding aerial vision as dialectically situated between the poles of science and art, rationality and imagination, abstracted and embodied knowledge, visibility and invisibility,…
Abstract On the twenty-sixth of September 1917, during the Third Ypres Campaign on the Western Front in Flanders, Frank Hurley and Charles Bean began a long argument about photographic verisimilitude. Captain Frank Hurley, one of Australia's newly appointed war photographers, wanted to combine several different negatives into a single battle tableau, and C. E. W.…
Abstract In September 1927, Mr Alexander Wetmore, Assistant Secretary of the Smithsonian, received a telegram from Mr I. N. Phelps Stokes in New York wanting to know if the Instirution was interested in a ‘Muybridge collection of moving-picture negatives and prints’. Wetmore answered immediately: ‘The National Museum will be very glad indeed to receive this…