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French Screen Studies is a peer-reviewed journal published by Taylor & Francis, covering French Historical and Cultural Studies, Cinema and Media Studies, North African History and Literature.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." French Screen Studies 12 (3): 45–58.
Formats any DOI in French Screen Studies style. No sign-up. |
| Publishes research in | French Historical and Cultural Studies Cinema and Media Studies North African History and Literature Historical Studies and Socio-cultural Analysis Cultural Identity and Heritage |
| ISSN | 2643-8941 |
| Citation impact (2-yr) | 0.53 |
| h-index | 6 |
| i10-index | 1 |
| Total citations | 179 |
| Top institutions publishing here | King's College London |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
During the years that preceded the legalisation of abortion in France by la loi Veil in 1975, feminists and activist doctors provided women alternative modes of reproductive care and advocacy. Militant and documentary filmmakers captured these developments in films such as Y’a qu’à pas baiser ! (Carole Roussopoulos and Vidéo Out, 1971–1973), Histoires d’A (Charles…
Netflix's globally oriented French products are commercially bound to negotiate between producing locally legible and internationally acceptable gender types. This article spotlights variations in representing the French romantic hero -traditionally a gallant sducteurto a global audience hypersensitive to notions of toxic masculinity in two post-#MeToo Netflix Original French romantic comedy narratives: the series Plan coeur/The…
The ground-breaking director Céline Sciamma observes that her films are often obsessed with the circulation of objects. This article analyses the forms this circulation takes across Sciamma’s first four films (Naissance des pieuvres, Tomboy, Bande de filles and Portrait de la jeune fille en feu), as well as the significance of the objects themselves. Building…
This article examines the politics of pop music in Céline Sciamma’s Bande de filles (Girlhood, 2014). Responding to feminist readings of Bande de filles’s most striking musical sequence (in which the protagonists lip-sync to Rihanna’s ‘Diamonds’) as an expression of the protagonists’ joyous defiance of the raced and gendered oppression that they face growing up…
Julia Ducournau’s Grave (2018) takes place within the confines of an isolated veterinary school, where humans and animals coexist as part of a highly codified environment. Against the backdrop of the school’s methodical and ritualised social regulation, disruptive bodily transformations take place, blurring the biological and behavioural categories that traditionally define species-based identities. Grave presents…
