Click to increase image sizeClick to decrease image size Acknowledgement This article was translated from the original by Timothy Barnard, Wendy Schubring and Franck Le Gac. Notes André Gaudreault's share of this article was written under the aegis of GRAFICS (Groupe de recherche sur l'avènement et la formation des institutions cinématographique et scénique) at the…
Early Popular Visual Culture Template
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About the Early Popular Visual Culture format
Early Popular Visual Culture is a peer-reviewed journal published by Taylor & Francis, covering Cinema and Media Studies, Photography and Visual Culture, Shakespeare, Adaptation, and Literary Criticism.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Early Popular Visual Culture 12 (3): 45–58.
Formats any DOI in Early Popular Visual Culture style. No sign-up. |
| Publishes research in | Cinema and Media Studies Photography and Visual Culture Shakespeare, Adaptation, and Literary Criticism Visual Culture and Art Theory Historical Art and Culture Studies |
| ISSN | 1746-0654 |
| Citation impact (2-yr) | 0.1 |
| h-index | 22 |
| i10-index | 82 |
| Total citations | 2,652 |
| Top institutions publishing here | University of Exeter |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Early Popular Visual Culture per year
Citation impact of Early Popular Visual Culture by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Early Popular Visual Culture
Abstract The stage illusion Pepper's Ghost is familiar from its use in theatres and fairground booths, and as the starting point for a whole branch of ingenious magical illusions. This article traces its development at London's Royal Polytechnic Institution under the aegis of its Honorary Director, John Henry Pepper. It explores the creative environment and…
Abstract By the start of the Victorian era, British theatre had lost its popular audience. Following the demise of the ‘Golden Age’ of Elizabethan and Jacobean theatre, the Restoration period under Charles II saw only two theatres in the land licensed to present plays: the Theatre Royal Drury Lane and Covent Garden (the ‘patent’ theatres).…
Click to increase image sizeClick to decrease image size Notes For an earlier example of the attempt to recoup Black’s picture plays using organic metaphors of film history see Ramsaye, T. () A Million and One Nights; a History of the Motion Picture, Simon and Schuster, New York, pp. 91–103. There are no documents that…
Abstract As several scholars have noted, the use of superimposition effects in cinema to conjure such apparitions as ghosts, fairies, devils, and other fantastic creatures finds a significant precedent in spirit photography, a spiritualist practice by which the image of one or more spirits was 'magically' captured on a photographic plate. However, arguing for a…