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Frontiers of Literary Studies in China is a peer-reviewed journal published by Springer Nature, covering Chinese history and philosophy, Japanese History and Culture, Asian Culture and Media Studies.
| Publisher | Springer Nature |
|---|---|
| Reference style | Superscript numbered (Nature) Superscript — small raised numerals in the text 1. Smith, A., Jones, B. & Lee, C. A representative article title. Frontiers of Literary Studies in China 12, 45–58 (2023).
Formats any DOI in Frontiers of Literary Studies in China style. No sign-up. |
| Publishes research in | Chinese history and philosophy Japanese History and Culture Asian Culture and Media Studies Vietnamese History and Culture Studies Hong Kong and Taiwan Politics |
| ISSN | 1673-7318 |
| h-index | 6 |
| i10-index | 3 |
| Total citations | 279 |
| Top institutions publishing here | Peking University |
| Journal website | www.springerlink.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Classical-style poetry is a neglected genre in the study of Chinese American literature. Except for the Angel Island Poetry and the Songs of Gold Mountain ( Jinshan geji 金山歌集), no substantial research has been done on the enormous amount of classical-style poems published in San Francisco and New York. This article attempts to explore this…
Neither comrades nor yet full-fledged consumers, Chinese dagongmei (female migrant workers) and their experience(s) are an essential part of the story of China’s globalizing economy. The growing body of scholarly literature on internal migrant workers exposes a chilling underside to China’s passionate embrace of market-oriented reform—which certainly should give pause to those otherwise inclined to…
Originally derived from historical and philosophical writings, xiaoshuo is the modern Chinese term for fictional work of any length. However, how this term came to be used to translate the Western concepts of “fiction” and “novel” is a question that remains to be fully explored. This paper focuses on Lu Xun’s seminal work Zhongguo xiaoshuo…
At the turn of the twenty-first century, contemporary art from China has displayed a recurrent engagement with urban ruins. Painting, performance, film, and photography have turned the rubble of demolition and construction works, an outcome of the vast urban development programs of the past few decades, into a powerful symbol of China's contemporary milieu. Critical…
Although the notion of the new woman in modern China has received much scholarly consideration, her usually illiterate rural sister has not received nearly as much critical attention. With the exception of Lu Xun’s iconic Xianglin sao—from his 1924 story “Zhufu” (The New Year’s Sacrifice)—almost no depictions of traditional women have been critically appraised in…
