Eighty-three music listeners completed a questionnaire in which thev provided information about the occurrence of a range of physical reactions while listening to music. Shivers down the spine, laughter, tears and lump in the throat were reported by over 80(% of respondents. Respondents were asked to locate specific musical passages that reliably evoked such responses.…
Psychology of Music Template
Write in a clean editor, then format for Psychology of Music in one click — DocuGuru applies the official SAGE template with author–year references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the Psychology of Music format
Psychology of Music is a peer-reviewed journal published by SAGE, covering Neuroscience and Music Perception, Diverse Music Education Insights, Music Therapy and Health.
| Publisher | SAGE |
|---|---|
| Reference style | Author–year (Harvard) Author–year — (Smith, 2023) in the text Smith, A., Jones, B. and Lee, C. (2023) 'A representative article title', Psychology of Music, 12(3), pp. 45–58.
Formats any DOI in Psychology of Music style. No sign-up. |
| Publishes research in | Neuroscience and Music Perception Diverse Music Education Insights Music Therapy and Health Music and Audio Processing Music Technology and Sound Studies |
| ISSN | 0305-7356 |
| Citation impact (2-yr) | 1.96 |
| h-index | 122 |
| i10-index | 1,037 |
| Total citations | 66,533 |
| Top institutions publishing here | University of Sheffield |
| Journal website | www.sagepub.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Psychology of Music per year
Citation impact of Psychology of Music by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Psychology of Music
The aim of this study was the exploration and theoretical clarification of the role of music in adolescents' mood regulation. The phenomenon was approached through an inductive theory construction. The data were gathered from eight adolescents by means of group interviews and follow-up forms, and were then analysed using constructive grounded theory methods. The analysis…
The primary aim of the present study was to systematically compare perceived emotions in music using two different theoretical frameworks: the discrete emotion model, and the dimensional model of affect. A secondary aim was to introduce a new, improved set of stimuli for the study of music-mediated emotions. A large pilot study established a set…
Nine professional musicians were instructed to perform short melodies using various instruments - the violin, electric guitar, flute, and singing voice - so as to communicate specific emotional characters to listeners. The performances were first validated by having listeners rating the emotional expression and then analysed with regard to their physical characteristics, e.g. tempo, dynamics,…
A crucial issue in research on music and emotion is whether music evokes genuine emotional responses in listeners (the emotivist position) or whether listeners merely perceive emotions expressed by the music (the cognitivist position). To investigate this issue, we measured self-reported emotion, facial muscle activity, and autonomic activity in 32 participants while they listened to…