Like other “regional” cinemas of southern India, Telugu cinema too has grown on the strength of its intimate linkages with both language politics and the linguistic state. In the more recent past, the relatively stable, if contentious, equilibrium between cinema, the linguistic state, and its official language was disrupted by a political movement demanding the…
BioScope South Asian Screen Studies Template
Write in a clean editor, then format for BioScope South Asian Screen Studies in one click — DocuGuru applies the official SAGE template with author–year references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the BioScope South Asian Screen Studies format
BioScope South Asian Screen Studies is a peer-reviewed journal published by SAGE, covering South Asian Cinema and Culture, Cinema and Media Studies, Shakespeare, Adaptation, and Literary Criticism.
| Publisher | SAGE |
|---|---|
| Reference style | Author–year (Harvard) Author–year — (Smith, 2023) in the text Smith, A., Jones, B. and Lee, C. (2023) 'A representative article title', BioScope South Asian Screen Studies, 12(3), pp. 45–58.
Formats any DOI in BioScope South Asian Screen Studies style. No sign-up. |
| Publishes research in | South Asian Cinema and Culture Cinema and Media Studies Shakespeare, Adaptation, and Literary Criticism South Asian Studies and Conflicts Southeast Asian Sociopolitical Studies |
| ISSN | 0974-9276 |
| Citation impact (2-yr) | 0.05 |
| h-index | 15 |
| i10-index | 32 |
| Total citations | 922 |
| Top institutions publishing here | Jawaharlal Nehru University |
| Journal website | us.sagepub.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in BioScope South Asian Screen Studies per year
Citation impact of BioScope South Asian Screen Studies by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in BioScope South Asian Screen Studies
The category of the region, in its use as an adjective to cinema, presumes a convergence of language, culture, and geography as its ground. This article attempts to understand the dynamics of unification and difference, aggregation and disaggregation that is central to the production of the linguistic region. Focusing on cinematic practices of the early…
A preliminary attempt is made here to explore genre tectonics as a field of study in Indian film history. The article proposes that in the Indian context, generic shifts might have historical significance. In the context of the reasonably well documented history of genres in India, the article takes up three instances of genre mixing…
In the history of Bombay cinema, the 1960s is a peculiar world marked by a reworking of nationalist anxieties, sovereignty, the place of the woman, and the world of location and mobility. India’s defeat in the border war against China in 1962 jolted the Nehruvian consensus of the 1950s. This was followed by food shortages,…