If the final contributor to this book, Laura Vroomen, is right, the sociological study of music audiences remains limited by its origins. Over the course of its history, the field has moved from the consideration of audiences as undifferentiated consumers of a culture industry, through an awareness of cultural differences, to the adhesive role of…
Music and Letters Template
Write in a clean editor, then format for Music and Letters in one click — DocuGuru applies the official Oxford University Press template with author–year references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the Music and Letters format
Music and Letters is a peer-reviewed journal published by Oxford University Press, covering Musicology and Musical Analysis, Diverse Musicological Studies, Poetry Analysis and Criticism.
| Publisher | Oxford University Press |
|---|---|
| Reference style | Author–year (OUP) Author–year — (Smith, 2023) in the text Smith, A., Jones, B. and Lee, C. (2023) 'A representative article title', Music and Letters, 12(3), pp. 45–58.
Formats any DOI in the closest standard style — Music and Letters has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Musicology and Musical Analysis Diverse Musicological Studies Poetry Analysis and Criticism Music Technology and Sound Studies Music History and Culture |
| ISSN | 0027-4224 |
| Citation impact (2-yr) | 0.03 |
| h-index | 47 |
| i10-index | 304 |
| Total citations | 13,534 |
| Top institutions publishing here | University of Manchester |
| Journal website | ml.oxfordjournals.org |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Music and Letters per year
Citation impact of Music and Letters by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Music and Letters
The pair of terms ‘diegetic–non-diegetic’ has been used by film music theory for over twenty years to describe music’s narrative source in film. While many have recognized the terms to be problematic, or have highlighted film music that appears to exist in a liminal space between the two categories, few have questioned the application of…
Journal Article ‘PERCUSSION INSTRUMENTS AND THEIR HISTORY’ Get access JAMES BLADES JAMES BLADES 191 Sandy Lane, Cheam, Sutton, Surrey Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LIII, Issue 3, July 1972, Pages 352–353, https://doi.org/10.1093/ml/LIII.3.352 Published: 01 July 1972
The views of audience members on their listening experiences are rarely heard in the research literature, although much speculation occurs on their roles and perspectives. This article reports on an investigation of audience experiences at a chamber music festival, and examines the ways in which social and musical enjoyment interact to generate commitment and a…
Journal Article CATEGORICAL CONVENTIONS IN MUSIC DISCOURSE: STYLE AND GENRE Get access ALLEN F. MOORE ALLEN F. MOORE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 82, Issue 3, August 2001, Pages 432–442, https://doi.org/10.1093/ml/82.3.432 Published: 01 August 2001