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Yearbook of the International Folk Music Council is a peer-reviewed journal published by Cambridge University Press, covering Diverse Musicological Studies, Music History and Culture, Musicology and Musical Analysis.
| Publisher | Cambridge University Press |
|---|---|
| Reference style | Numbered Numbered — [1], [2] in the text [1] A. Smith, B. Jones, and C. Lee, A representative article title, Yearbook of the International Folk Music Council 12 (2023) 45–58.
Formats any DOI in the closest standard style — Yearbook of the International Folk Music Council has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Diverse Musicological Studies Music History and Culture Musicology and Musical Analysis Folklore, Mythology, and Literature Studies African history and culture studies |
| ISSN | 0316-6082 |
| h-index | 15 |
| i10-index | 24 |
| Total citations | 1,036 |
| Top institutions publishing here | Musée de l'Homme |
| Journal website | www.jstor.org |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
The main purpose of this paper is to draw attention to the need for a comprehensive theory of music and music-making, and for studies that seek to distinguish musical change analytically from other kinds of change, and radical change from variation and innovation within a flexible system.
The central issue in musical theory is the problem of description. Neither musicologists nor ethnomusicologists have yet devised a system of analysis which is sufficiently powerful to explain what we can know intuitively as a result of experience in culture, namely, the essential differences between the music of Haydn and Mozart, or of the Flathead…
In a Stimulating and comprehensive survey of some of the problems of ethnomusicology, Professor Mantle Hood distinguished three important aspects of our study of music: 1. The function of music as an aspect of the behaviour of man in society. 2. Characteristic musical style identified in its own terms and viewed in relation to its…
Survey courses in world musics survive on aphorisms, and one of the favorite characteristics appended to Asian music in such studies is its great interest in improvisation. The major problem with this saying is that it is not true. While it may apply to certain forms of South Asian music and be a part of…
African dance has, in the past, sent some admiring Western poets and artists into ecstasy and many Christian missionaries and other colonialists into a state of horror. “The quintessential aesthetic form” or “the expression of moral turpitude,” respectively, were common verdicts. And frequently, early European observers of African behavior did not consider African dance to…
