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Plainsong and Medieval Music is a peer-reviewed journal published by Cambridge University Press, covering Medieval Literature and History, Historical and Archaeological Studies, Reformation and Early Modern Christianity.
| Publisher | Cambridge University Press |
|---|---|
| Reference style | Numbered Numbered — [1], [2] in the text [1] A. Smith, B. Jones, and C. Lee, A representative article title, Plainsong and Medieval Music 12 (2023) 45–58.
Formats any DOI in the closest standard style — Plainsong and Medieval Music has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Medieval Literature and History Historical and Archaeological Studies Reformation and Early Modern Christianity Medieval European Literature and History Diverse Scientific and Economic Studies |
| ISSN | 0961-1371 |
| Citation impact (2-yr) | 0.03 |
| h-index | 28 |
| i10-index | 44 |
| Total citations | 1,918 |
| Top institutions publishing here | King's College London |
| Journal website | www.cambridge.org |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
It has long been recognized that Johannes de Grocheio's De musicta is an outstanding source of information about Parisian musical practice c . 1300. However, the critical text of the treatise published by Rohloff in 1972 can be improved by returning to the manuscripts, and the pioneering English translation, by Albert Seay, can now be…
John Dunstaple's reputation as the most famous English composer of the Middle Ages has stood almost unchallenged since his death. Two epitaphs attributed to one of his patrons, John Wheathamstead, Abbot of St Albans between 1420–40 and 1452–64, give him equal credit as a mathematician and astronomer (or rather, astrologer). Dunstaple was evidently proficient in…
Based on principles found in fourteenth-century counterpoint treatises, this study divides Machaut's balades with four voices into three groups according to their performance possibilities. The pieces of group 1 ( Se quanque amours, Il mest avis, De toutes flours , and Quant theseus/Ne quier ) can be performed either in all four parts or in…
ABSTRACT The manuscript Chicago, Newberry Library 54.1, copied in Pavia in 1391 by an English friar, has been the object of attention of scholars for some time now. Because of the presence of Senleches's song La harpe de melodie (famously notated in the shape of a harp), and of the earliest known dated copy of…
The first Book of Common Prayer, published in 1549, contains no music. This is not to say that many of the liturgical texts it contains were not intended to be sung or intoned, as they had been for centuries before the Reformation. That singing as well as speaking was permissible is made clear by the…
