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Journal of the Society for American Music is a peer-reviewed journal published by Cambridge University Press, covering Music History and Culture, Musicology and Musical Analysis, Diverse Musicological Studies.
| Publisher | Cambridge University Press |
|---|---|
| Reference style | Numbered Numbered — [1], [2] in the text [1] A. Smith, B. Jones, and C. Lee, A representative article title, Journal of the Society for American Music 12 (2023) 45–58.
Formats any DOI in the closest standard style — Journal of the Society for American Music has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Music History and Culture Musicology and Musical Analysis Diverse Musicological Studies Theater, Performance, and Music History Diverse Scientific and Economic Studies |
| ISSN | 1752-1963 |
| Citation impact (2-yr) | 0.05 |
| h-index | 26 |
| i10-index | 64 |
| Total citations | 2,547 |
| Top institutions publishing here | Yale University |
| Journal website | american-music.org |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Abstract Based on first-person accounts of interrogators and former detainees as well as unclassified military documents, this article outlines the variety of ways that “loud music” has been used in the detention camps of the United States‘ “global war on terror.” A survey of practices at Bagram Air Force Base, Afghanistan; Camp Nama (Baghdad), Iraq;…
Abstract This article explores surveillance in cloud-based music streaming. Key catalysts in the transition from ownership- to access-based models of music distribution, services like Spotify, Pandora, or Deezer have positioned themselves as a means of reintegrating listeners into “digital enclosures” over which rights holders exercise greater control. Yet streaming's promise of remonetizing musical commodities demonetized…
Musicological research on nineteenth-century music blossomed during the 1970s. The surge was solidified with the founding of the journal 19th-Century Music in 1977, roughly a year after the establishment of the Sonneck Society and a decade before the appearance of AmeriGrove I . During this decade, the journal published seven articles on nineteenth-century American subjects…
Abstract In 2012, the flutist Claire Chase, founder of the International Contemporary Ensemble, received a MacArthur Award for her work as an “arts entrepreneur and flutist.” The award's emphasis on Chase's entrepreneurship reflects the growing demand among classical musicians, educators, and critics for self-driven musical projects, promoted as an engine of classical music's concert culture…
Abstract This article addresses Guitar Hero and Rock Band gameplay as a developing form of collaborative, participatory rock music performance. Drawing on ethnomusicology, performance studies, popular music studies, gender and sexuality studies, and interdisciplinary digital media scholarship, I investigate the games' models of rock heroism, media debates about their impact, and players' ideas about genuine…
