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Transnational Screens is a peer-reviewed journal published by Taylor & Francis, covering Cinema and Media Studies, Hong Kong and Taiwan Politics, Asian Culture and Media Studies.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Transnational Screens 12 (3): 45–58.
Formats any DOI in Transnational Screens style. No sign-up. |
| Publishes research in | Cinema and Media Studies Hong Kong and Taiwan Politics Asian Culture and Media Studies South Asian Cinema and Culture Italian Fascism and Post-war Society |
| ISSN | 2578-5265 |
| Citation impact (2-yr) | 0.39 |
| h-index | 9 |
| i10-index | 9 |
| Total citations | 423 |
| Top institutions publishing here | University of Lisbon |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
A decade ago, I wrote a piece called ‘What Is Transnational Cinema? Thinking from the Chinese Situation’. It argued that knowledge is situational and perspectival; what transnational cinema is depends on when and where you are looking from and writing about. It observed and analysed two current phenomena relevant to understanding what Chinese transnational cinema…
This article revisits concepts of transnational cinema and examines cinematic trends and phenomena from the past decade or so through the lens of the transnational. The first case study interrogates the cinematic ambitions of China and their impact on the United States, and proposes a deeper engagement with the notion of soft power for the…
"Cinema and the cultural cold war: US diplomacy and the origins of the Asian cinema network." Transnational Screens, 12(3), pp. 249–250
This essay examines Rashid Masharawi’s transnationally produced films against the backdrop of problematizing the Palestinian relationship with the realm of nature. Grounded in the idea of minor transnationalism, modelled by Françoise Lionnet and Shu-mei Shih, drawing upon the conceptualization of ‘minor literatures’ of Gilles Deleuze and Félix Guattari, and the transnational film theory of Mette…
Early screen culture in Hong Kong remains underexplored, despite the rigorous work of film historians. According to new evidence on film exhibitions in Hong Kong from 1897 to late 1907, early screen practice was multi-faceted. It ranged from technological marvels and the co-programming of motion pictures with musicals and magic shows to the enjoyment of…
