ABSTRACTThis article aims to map out the various concepts of transnational cinema that have appeared over the past ten to fifteen years, and its state of deployment, related issues and problematics. It argues for a critical form of transnationalism in film studies that might help us interpret more productively the interface between global and local,…
Transnational Cinemas Template
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About the Transnational Cinemas format
Transnational Cinemas is a peer-reviewed journal published by Taylor & Francis, covering Cinema and Media Studies, Asian Culture and Media Studies, Italian Fascism and Post-war Society.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Transnational Cinemas 12 (3): 45–58.
Formats any DOI in Transnational Cinemas style. No sign-up. |
| Publishes research in | Cinema and Media Studies Asian Culture and Media Studies Italian Fascism and Post-war Society Japanese History and Culture Cultural Industries and Urban Development |
| ISSN | 2040-3526 |
| h-index | 18 |
| i10-index | 45 |
| Total citations | 1,626 |
| Top institutions publishing here | Utrecht University |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Transnational Cinemas per year
Citation impact of Transnational Cinemas by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Transnational Cinemas
This article examines Chinese cinema to think further about defining and researching transnational cinema. Can transnational cinema be defined as a theoretical concept and a set of practices? Can it become something more distinct and specific than just a catch-all category for everything that is not national cinema, or a synonym for existing terms? If…
This article examines the political aesthetics of the current ‘refugee crisis’, and the life-and-death stakes of the struggle over the meaning of foreignness that is taking place. It focuses on emergent forms of political film-making that employ mobile technologies. These include videos made on phones and distributed online or edited into documentary films, all of…
This essay explores the relation between the genre of experimental observational documentary and transnational European spaces. It engages with documentaries that focus on the everyday and the uneventful, and that present alternative representations of liminal places and subjects. The three films analysed are: El Cielo Gira (The Sky Turns) by Mercedes Álvarez (2004, Spain), Lift…