Although queer studies has the potential to transform the way scholars theorize sexuality in conjunction with other identity formations, the paucity of attention given to race and class in queer studies represents a significant theoretical gap. Most current formulations of queer theory either ignore the categories of race and class altogether or theorize their effects…
Text and Performance Quarterly Template
Write in a clean editor, then format for Text and Performance Quarterly in one click — DocuGuru applies the official Taylor & Francis template with author–year references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the Text and Performance Quarterly format
Text and Performance Quarterly is a peer-reviewed journal published by Taylor & Francis, covering Theatre and Performance Studies, Rhetoric and Communication Studies, Diversity and Impact of Dance.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Text and Performance Quarterly 12 (3): 45–58.
Formats any DOI in Text and Performance Quarterly style. No sign-up. |
| Publishes research in | Theatre and Performance Studies Rhetoric and Communication Studies Diversity and Impact of Dance Theater, Performance, and Music History Human auditory perception and evaluation |
| ISSN | 1046-2937 |
| Citation impact (2-yr) | 0.47 |
| h-index | 47 |
| i10-index | 273 |
| Total citations | 11,566 |
| Top institutions publishing here | Schlumberger (Ireland) |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Text and Performance Quarterly per year
Citation impact of Text and Performance Quarterly by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Text and Performance Quarterly
Personal narratives are studied in many disciplines, but theoretical analysis of the personal narrative has lagged behind research. This essay presents five perspectives on the personal narrative as communication and performance by analyzing definitions of text, context, and concepts in current research: personal narrative as story‐text, personal narrative as storytelling performance, personal narrative as conversational…
The proliferation of personal narrative in contemporary culture and performance studies sparks both celebration and suspicion. This essay accesses and assesses current knowledge and issues about personal narrative by weaving three discourses: Dorothy Allison's performance piece Two or Three Things I Know for Sure, academic discourse, and personal narrative. From the conjoined perspectives of performance…
This essay outlines one trajectory through autoethnography's embattled terrain at a specific historical/personal moment. The essay begins with an appreciation of autoethnography, at least as compared to its positivist alternatives, but also articulates a suspicion of autoethnography's pursuit of legitimacy. Here, the author articulates the double bind between the epistemic and aesthetic demands of autoethnography…
Abstract ON THE EDGE OF THE BUSH: ANTHROPOLOGY AS EXPERIENCE. By Victor Turner. Edited by Edith L. B. Turner. Tucson: University of Arizona Press, 1985; pp. vii + 328; $29.95. THE ANTHROPOLOGY OF PERFORMANCE. By Victor Turner. New York: PAJ Publications, 1986; pp. 185; $19.95. THE ANTHROPOLOGY OF EXPERIENCE. Edited by Victor W. Turner and…