The Covid-19 pandemic disrupted virtually all domains of the film industry, from the production, through distribution to exhibition of films. As opposed to flourishing VOD platforms, cinemas have been hit particularly hard and with them film festivals, which had to choose between postponing their terms, becoming online or hybrid, or being cancelled altogether. The article…
Studies in Eastern European Cinema Template
Write in a clean editor, then format for Studies in Eastern European Cinema in one click — DocuGuru applies the official Taylor & Francis template with author–year references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.
About the Studies in Eastern European Cinema format
Studies in Eastern European Cinema is a peer-reviewed journal published by Taylor & Francis, covering Eastern European Communism and Reforms, Cinema and Media Studies, European history and politics.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Studies in Eastern European Cinema 12 (3): 45–58.
Formats any DOI in Studies in Eastern European Cinema style. No sign-up. |
| Publishes research in | Eastern European Communism and Reforms Cinema and Media Studies European history and politics Italian Fascism and Post-war Society Polish Historical and Cultural Studies |
| ISSN | 2040-350X |
| Citation impact (2-yr) | 0.25 |
| h-index | 9 |
| i10-index | 8 |
| Total citations | 539 |
| Top institutions publishing here | Eötvös Loránd University |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Papers published in Studies in Eastern European Cinema per year
Citation impact of Studies in Eastern European Cinema by publication year
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Most-cited papers in Studies in Eastern European Cinema
The topic of this article is the change of stylistic dominant in the national cinemas of post-Yugoslav countries after the year 2000 and the huge political changes in Croatia and Serbia. In all post-Yugoslav states this was a period of political, social and economic changes, which is usually named by a common denominator: ‘normalization’. The…
This article aims to discuss the topic of migration in a corpus of contemporary Hungarian and Romanian films, with a focus on the spatial dynamics of characters trapped between institutions, places and countries. After a short outline of the historical, cultural and political backgrounds of the two cinemas, I proceed with describing the places these…
This article reviews the wave of recent critical re-appraisals of Walerian Borowczyk as an art-house auteur. As an attempt to undercut the critical impulse that privileges Borowczyk's early experimental work and the auteur approach, I focus on Borowczyk's sexploitation films, which are reviewed here in the context of commodity culture and the sexual revolution of…
This opening article looks at the changing ways of conceptualizing Eastern Europe as a region, particularly since the political changes of 1989. This is discussed alongside the changes and emerging trends in more recent scholarship on Eastern European cinema.