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Studies in Documentary Film is a peer-reviewed journal published by Taylor & Francis, covering Cinema and Media Studies, Italian Fascism and Post-war Society, Memory, Trauma, and Commemoration.
| Publisher | Taylor & Francis |
|---|---|
| Reference style | Author–year (Chicago, T&F) Author–year — (Smith, 2023) in the text Smith, Ada, Ben Jones, and Cara Lee. 2023. "A Representative Article Title." Studies in Documentary Film 12 (3): 45–58.
Formats any DOI in Studies in Documentary Film style. No sign-up. |
| Publishes research in | Cinema and Media Studies Italian Fascism and Post-war Society Memory, Trauma, and Commemoration Media Studies and Communication Photography and Visual Culture |
| ISSN | 1750-3280 |
| Citation impact (2-yr) | 0.43 |
| h-index | 21 |
| i10-index | 65 |
| Total citations | 2,537 |
| Top institutions publishing here | RMIT University |
| Journal website | www.tandfonline.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
The notion of immersive witness underpins much of the exploration of virtual reality (VR) by journalists and humanitarian organisations. Immersive witness links the experience of VR with a moral attitude of responsibility for distant others. In accounts of media witness, the ability of the media to sustain an experience of presence has played an important,…
This article articulates the authors' combined vision behind convening i-Docs, the first international symposia to focus exclusively on the rapidly evolving field of interactive documentary. In so doing, it provides a case study of practice-driven research, in which discussion around the act of developing and making interactive documentaries is seen as being a necessary prerequisite…
This article responds to the recent wave of experimentation with Virtual Reality (VR) as a nonfiction platform. Amidst daily announcements of new VR documentary initiatives, and at times giddy claims about the potential of this new medium, I consider how a media technology expected to enter the mainstream as a games platform became a magnet…
ABSTRACTThis article examines the evolution of interactive, cross-platform and transmedia documentaries within the context of the earlier model of database narratives and the impact of Web 2.0 technologies. Specific documentary projects illustrate how the interactivity supported by online platforms has influenced the aesthetics of form and altered conventional models of production and distribution.
Sense of presence is a central but widely contested concept in virtual reality (VR) and has been the subject of significant debate, discussion and research. Key factors considered to influence sense of presence are: media form, media content and user characteristics but as yet, relatively little consideration has been given to how these apply to…
