DocuGuru
Oxford University Press

The Opera Quarterly Template

Write in a clean editor, then format for The Opera Quarterly in one click — DocuGuru applies the official Oxford University Press template with author–year references and exports a submission-ready PDF plus the editable LaTeX source. Free to start.

Use this template

About the The Opera Quarterly format

The Opera Quarterly is a peer-reviewed journal published by Oxford University Press, covering Musicology and Musical Analysis, Diverse Musicological Studies, Human auditory perception and evaluation.

PublisherOxford University Press
Reference styleAuthor–year (OUP)
Author–year — (Smith, 2023) in the text
Smith, A., Jones, B. and Lee, C. (2023) 'A representative article title', The Opera Quarterly, 12(3), pp. 45–58.

Formats any DOI in the closest standard style — The Opera Quarterly has no published style definition, so this is an approximation. No sign-up.

Publishes research inMusicology and Musical Analysis Diverse Musicological Studies Human auditory perception and evaluation Theater, Performance, and Music History Diverse Scientific and Economic Studies
ISSN0736-0053
Citation impact (2-yr)0.03
h-index23
i10-index74
Total citations2,844
Article processing charge$4,217
Top institutions publishing hereOxford University Press (United Kingdom)
Journal websiteacademic.oup.com
You getA submission-ready PDF and the editable LaTeX source — ready to submit.

Papers published in The Opera Quarterly per year

41
2014
30
2015
18
2016
20
2017
21
2018
27
2019
15
2020
8
2021
9
2022
13
2023
13
2024
12
2025

Citation impact of The Opera Quarterly by publication year

139
2014
10
2015
18
2016
66
2017
47
2018
45
2019
7
2020
4
2021
0
2022
3
2023
1
2024
0
2025

Citations each year’s papers have accumulated so far — the most recent years are still building up.

Most-cited papers in The Opera Quarterly

Digital Diva: Opera on Video

Christopher Morris · 23 Mar 2010

What is it about video recording that brings out the purist in theater practitioners and theorists? Time and again they reinforce a hierarchy that relegates the recording of theater to a derivative and debased status in relation to the unique and inimitable condition of a live performance. Whether produced for archival, documentary, or research purposes,…

64 citations Cite SaveGo to paper →
Hexatonic Poles and the Uncanny in Parsifal

Robert L. Cohn · 17 Apr 2007

Journal Article Hexatonic Poles and the Uncanny in Parsifal Get access Richard Cohn Richard Cohn Search for other works by this author on: Oxford Academic Google Scholar The Opera Quarterly, Volume 22, Issue 2, spring 2006, Pages 230–248, https://doi.org/10.1093/oq/kbl008 Published: 20 July 2007

54 citations Cite SaveGo to paper →
HD Opera: A Love/Hate Story

James Steichen · 1 Dec 2011

I had arrived at the Metropolitan Opera stage door as instructed—10:30 a.m. on Saturday, January 16, 2010—but apparently we were already running late.1 Marisa and I quickly made our way to the stage, where the dry run for the opening segments and intermission features of the afternoon's high-definition broadcast of Carmen was well under way.…

51 citations Cite SaveGo to paper →
A Sublime Invasion: Meyerbeer, Balzac, and the Opera Machine

Emily I. Dolan, John Tresch · 1 Mar 2011

Pity the Meyerbeer enthusiast. The slow struggle to rehabilitate the once mighty and internationally beloved composer is far from complete. Recent years have seen a surge in scholarship—including a number of book-length studies, the publication of his diaries, and, importantly, essays that interrogate the origins of the enduring prejudices against Meyerbeer.1 Despite these efforts, performances…

50 citations Cite SaveGo to paper →

The Opera Quarterly template — frequently asked questions

How do I write a paper in the The Opera Quarterly format?
In DocuGuru you write your manuscript in a normal editor — no LaTeX setup required — and select the The Opera Quarterly template. When you export, DocuGuru compiles the paper into the official Oxford University Press format and hands you a submission-ready PDF along with the editable LaTeX source.
What reference style does The Opera Quarterly use?
The Opera Quarterly uses Author–year (OUP) references, shown as author–year markers such as (Smith, 2023) in the text. DocuGuru formats every in-text citation and the reference list in this exact style automatically. A reference appears like this: Smith, A., Jones, B. and Lee, C. (2023) 'A representative article title', The Opera Quarterly, 12(3), pp. 45–58.
Do I need to know LaTeX to submit to The Opera Quarterly?
No. DocuGuru generates the oup-authoring-template LaTeX class and compiles the PDF for you in the background, so you get a Oxford University Press-ready The Opera Quarterly document without writing any LaTeX. If you do want it, the LaTeX source is included in the export.
Can I import an existing draft into the The Opera Quarterly template?
Yes. Paste or upload your current manuscript — Word, LaTeX, Markdown, or plain text — and DocuGuru reflows it into the The Opera Quarterly format with correct headings, figures, tables, and author–year citations.
Who publishes The Opera Quarterly?
The Opera Quarterly is a multidisciplinary journal published by Oxford University Press. DocuGuru's The Opera Quarterly template matches Oxford University Press's official submission format.
Can I export a submission-ready The Opera Quarterly PDF?
Yes — DocuGuru produces a PDF built with the official The Opera Quarterly template (the oup-authoring-template class) that is ready to submit to Oxford University Press, together with the matching LaTeX source files.
How much does the The Opera Quarterly template cost?
You can start writing in the The Opera Quarterly template for free. Exporting the final submission-ready The Opera Quarterly PDF and LaTeX source is part of DocuGuru's paid plans — see the app for current pricing.
Use the The Opera Quarterly template