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Music Theory Spectrum is a peer-reviewed journal published by Oxford University Press, covering Musicology and Musical Analysis, Music Technology and Sound Studies, Neuroscience and Music Perception.
| Publisher | Oxford University Press |
|---|---|
| Reference style | Author–year (OUP) Author–year — (Smith, 2023) in the text Smith, A., Jones, B. and Lee, C. (2023) 'A representative article title', Music Theory Spectrum, 12(3), pp. 45–58.
Formats any DOI in the closest standard style — Music Theory Spectrum has no published style definition, so this is an approximation. No sign-up. |
| Publishes research in | Musicology and Musical Analysis Music Technology and Sound Studies Neuroscience and Music Perception Diverse Musicological Studies Music History and Culture |
| ISSN | 0195-6167 |
| Citation impact (2-yr) | 1.14 |
| h-index | 52 |
| i10-index | 328 |
| Total citations | 12,767 |
| Article processing charge | $3,940 |
| Top institutions publishing here | Yale University |
| Journal website | academic.oup.com |
| You get | A submission-ready PDF and the editable LaTeX source — ready to submit. |
Citations each year’s papers have accumulated so far — the most recent years are still building up.
Journal Article Theorizing Musical Meaning Get access Nicholas Cook Nicholas Cook Search for other works by this author on: Oxford Academic Google Scholar Music Theory Spectrum, Volume 23, Issue 2, Fall 2001, Pages 170–195, https://doi.org/10.1525/mts.2001.23.2.170 Published: 01 October 2001
David Neumeyer and Susan Tepping. A Guide to Schenkerian Analysis. Englewood Cliffs, NJ: Prentice-Hall, 1992 Get access Neumeyer David and Tepping Susan. A Guide to Schenkerian Analysis. Englewood Cliffs, NJ: Prentice-Hall, 1992. Frank Samarotto Frank Samarotto Search for other works by this author on: Oxford Academic Google Scholar Music Theory Spectrum, Volume 15, Issue 1,…
Music theorists and music psychologists may benefit from increasing awareness of each others' discipline. However, it is necessary to delimit the common ground shared by the disciplines and, at the same time, to clarify basic differences between the two approaches. Toward this end, this article begins with a schematic history of the psychology of music…
The pitch syntax of mainstream rock music comprises a variety of tonal, modal, blues-based and chromatic elements. Traditional constructs of scale-degree theory and harmonic functionality, while originally pertaining to art music, can be usefully modified to address elements of rock music that do not conform to tonal norms, particularly when these elements are considered in…
Pentatonic, diatonic, and chromatic scales share the same underlying structure, that of the well-formed scale. Well-formedness is defined in terms of a relationship between the order in which a single interval generates the elements of a pitch-class set and the order in which those elements appear in a scale. Another characterization provides a recursive procedure…
